"Gottes Zeit ist die allerbeste Zeit, BWV 106 (Transcr. for Piano Four Hands by György Kurtàg): 2a. Gottes Zeit, ist die allerbeste Zeit, BWV 106" by Johann Sebastian Bach, Lucas Jussen, Arthur Jussen was released on January 20, 2021. The duration of Gottes Zeit ist die allerbeste Zeit, BWV 106 (Transcr. for Piano Four Hands by György Kurtàg): 2a. Gottes Zeit, ist die allerbeste Zeit, BWV 106 is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Gottes Zeit ist die allerbeste Zeit, BWV 106 (Transcr. for Piano Four Hands by György Kurtàg): 2a. Gottes Zeit, ist die allerbeste Zeit, BWV 106's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach's "J.S. Bach: Study Power" album is number 102 out of 201. Gottes Zeit ist die allerbeste Zeit, BWV 106 (Transcr. for Piano Four Hands by György Kurtàg): 2a. Gottes Zeit, ist die allerbeste Zeit, BWV 106 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Gottes Zeit ist die allerbeste Zeit, BWV 106 (Transcr. for Piano Four Hands by György Kurtàg): 2a. Gottes Zeit, ist die allerbeste Zeit, BWV 106 by Johann Sebastian Bach, Lucas Jussen, Arthur Jussen to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Yo-Yo Ma | F Minor | 0 | 4A | 115 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : II. Alla Siciliana | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Lucas Barr, Christine Pichlmeier, Antonio Vivaldi | F♯ Minor | 1 | 11A | 129 BPM | ||
Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 56 BPM | ||
St. Matthew Passion, BWV 244 / Part One: No. 17 Choral: "Ich will hier bei dir stehen" | Johann Sebastian Bach, Thomanerchor Leipzig, Tölzer Knabenchor, Gewandhausorchester, Riccardo Chailly | E♭ Major | 1 | 5B | 81 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2: III. Vivace | Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica | A♭ Major | 3 | 4B | 83 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM |
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