Johann Sebastian Bach, Murray Perahia, Academy of St. Martin in the Fields made "Keyboard Concerto No. 1 in D Minor, BWV 1052: I. Allegro" available on 1971. Since Keyboard Concerto No. 1 in D Minor, BWV 1052: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Murray Perahia's "Murray Perahia Plays Bach Concertos" album is number 1 out of 30. In terms of popularity, Keyboard Concerto No. 1 in D Minor, BWV 1052: I. Allegro is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Keyboard Concerto No. 1 in D Minor, BWV 1052: I. Allegro by Johann Sebastian Bach, Murray Perahia, Academy of St. Martin in the Fields to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Chaconne | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 2 | 3B | 114 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Concerto in B Minor, RV 580: 1. Allegro - Live | Antonio Vivaldi, Zubin Mehta, Israel Philharmonic Orchestra, Isaac Stern, Ivry Gitlis, Ida Haendel, Shlomo Mintz | B Minor | 2 | 10A | 105 BPM | ||
Sonata in A Major, Op. 17: No. 5: I. Allegro | Johann Christian Bach, See Siang Wong | F♯ Minor | 2 | 11A | 65 BPM | ||
Oboe Sonata in D Major, Op. 166: I. Andantino | Camille Saint-Saëns, Allan Vogel, Bryan Pezzone | D Minor | 2 | 7A | 66 BPM | ||
La Couperin (21e ordre) | François Couperin, Alexandre Tharaud | E Minor | 1 | 9A | 118 BPM | ||
Serenade in G, K.525 "Eine kleine Nachtmusik": 2. Romance (Andante) | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 0 | 8B | 143 BPM | ||
Piano Quintet in A Major, D. 667, Op. 114 "Trout": IV. Tema con variazioni | Franz Schubert, Emanuel Ax | G Major | 1 | 9B | 113 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM |
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