"Kuula : Yksin Op.29b No.4 [Alone]" by Kuula, Toivo Kuula, Tapiola Chamber Choir and Friends of Kuula, Hannu Norjanen was released on December 2, 1994. The duration of Kuula : Yksin Op.29b No.4 [Alone] is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Kuula : Yksin Op.29b No.4 [Alone]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Toivo Kuula: Complete Works for Mixed & Female Choruses a cappella". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Finland. Kuula : Yksin Op.29b No.4 [Alone] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kuula : Yksin Op.29b No.4 [Alone] by Kuula, Toivo Kuula, Tapiola Chamber Choir and Friends of Kuula, Hannu Norjanen having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM | ||
Blahoslovy dushe moya hospoda | Kyrylo Stetsenko, Halina Zykrata, Alla Horobtchenko, Fedir Potapchouk, Igor Babytch, Anatolyj Hlalzyrin, Wolodymyr Hritsiouk, National Choir Of The Ukraine "Dumka", Evhenyj Savtchouk | E Major | 1 | 12B | 129 BPM | ||
Motett, "Stilla komme och välkomna vare dagens slut och lön!" | Sara Wennerberg-Reuter, St. Pauli Vokalensemble | F Minor | 3 | 4A | 91 BPM | ||
Tenebrae Responsories for Maundy Thursday: In monte Oliveti: a. Respond. In monte Oliveti | Carlo Gesualdo, Owain Park, The Gesualdo Six | B Major | 1 | 1B | 81 BPM | ||
The Little Litany | St.Petersburg Chamber Choir, Nikolai Korniev | A Minor | 2 | 8A | 75 BPM | ||
Stabat Mater: O quam tristis et afflicta | Zuzanna Koziej, Agnieszka Frankow-Zelazny, NFM Choir | E Minor | 4 | 9A | 200 BPM | ||
Den blida vår är inne | Hägerstens Kammarkör | A Major | 1 | 11B | 79 BPM | ||
Lord, Let Me Love You More and More | Christopher Walker | C Major | 1 | 8B | 137 BPM | ||
Da solen påskemorgen kom | Jørgen Sørensen, Thisted Kirkes Drenge Mandskor, Preben Nørgaard Christensen | F Major | 1 | 7B | 74 BPM | ||
Mass in D Major, Op. 86, B. 153: V. Benedictus | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | G Major | 0 | 9B | 67 BPM |
Section: 0.6205112934112549
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