"Requiem: II. To the Evening Star" by Andrew Imbrie, Lisa Saffer, Riverside Symphony, The New York Virtuoso Singers, George Rothman was released on 1999. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Andrew Imbrie, Alan Feinberg, The New York Virtuoso Singers, Riverside Symphony, Lisa Saffer, George Rothman's "Music of Andrew Imbrie" album is number 2 out of 9. On top of that, United States appears to be the country where this track was created. In terms of popularity, Requiem: II. To the Evening Star is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem: II. To the Evening Star by Andrew Imbrie, Lisa Saffer, Riverside Symphony, The New York Virtuoso Singers, George Rothman to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
pendent | Oliver Buckland | B♭ Minor | 2 | 3A | 147 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Halloween Ghost Story | Dark Academia Quintet | B♭ Minor | 1 | 3A | 83 BPM | ||
String Quartet In F Major, M.35: 3. Très lent | Maurice Ravel, Emerson String Quartet | D♭ Major | 0 | 3B | 89 BPM | ||
Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst | F♯ Minor | 0 | 11A | 97 BPM | ||
Five Roethke Songs: Her Words | Andrew Imbrie, Susan Narucki, Martin Goldray, Anthony Korf | B♭ Major | 1 | 6B | 91 BPM | ||
String Quartet No. 4, BB 95: II. Prestissimo, con sordino | Béla Bartók, Cavani Quartet | D Major | 1 | 10B | 86 BPM | ||
The Shadow of Sirius: I. The Nomad Flute | Joel Puckett, Marianne Gedigian, University of Texas Wind Ensemble, Jerry Junkin | A♭ Major | 0 | 4B | 66 BPM | ||
Shostakovich: String Quartet No. 8 in C Minor, Op. 110: II. Allegro molto | Dmitri Shostakovich, Brodsky Quartet | B♭ Minor | 1 | 3A | 60 BPM | ||
String Quartet In F Major, M.35: 2. Assez vif. Très rythmé | Maurice Ravel, Quatuor Ysaÿe | C Major | 0 | 8B | 79 BPM |
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