The Stone Flower Symphonic Suite, Op. 118, Prologue: I. The Mistress of the Copper Mountain - Sergei Prokofiev, Neeme Järvi, Royal Scottish National Orchestra Information

Acousticness: 87%
Danceability: 7%
Energy: 11%
Instrumentalness: 86%
Liveness: 8%
Loudness: 64%
Speechiness: 4%
Valence: 4%
Popularity: 9%
Loudness: -21.539 dB

Summary

"The Stone Flower Symphonic Suite, Op. 118, Prologue: I. The Mistress of the Copper Mountain" by Sergei Prokofiev, Neeme Järvi, Royal Scottish National Orchestra was released on August 1, 1990. The Stone Flower Symphonic Suite, Op. 118, Prologue: I. The Mistress of the Copper Mountain appears to be safe for all ages as it is not explicit. There are a total of 14 in the song's album "Prokofiev: Lietuenant Kijé Suite". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. The Stone Flower Symphonic Suite, Op. 118, Prologue: I. The Mistress of the Copper Mountain is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Stone Flower Symphonic Suite, Op. 118, Prologue: I. The Mistress of the Copper Mountain BPM

With The Stone Flower Symphonic Suite, Op. 118, Prologue: I. The Mistress of the Copper Mountain by Sergei Prokofiev, Neeme Järvi, Royal Scottish National Orchestra having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

The Stone Flower Symphonic Suite, Op. 118, Prologue: I. The Mistress of the Copper Mountain Key

This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sorcerer's Apprentice	Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano	D♭ Major	2	3B	123 BPM
Rage Over A Lost Penny, Op. 129	Valentina Lisitsa	G Major	2	9B	80 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	C Minor	0	5A	87 BPM
Masquerade Suite: Nocturne	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	A Major	1	11B	105 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	E♭ Major	1	5B	87 BPM
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights	Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	C Major	1	8B	73 BPM
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo	Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend	B Minor	2	10A	105 BPM
Violin Concerto No.2 in G minor, Op.63: 2. Andante assai	Sergei Prokofiev, Kyung Wha Chung, London Symphony Orchestra, André Previn	G Major	1	9B	84 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	C Major	1	8B	68 BPM
Prelude In A Minor Op. 32 No. 8	Vladimir Horowitz	F Major	1	7B	59 BPM

ISRC: GBLWD9007308
Label: L-M Records/RCA Records

Section: 0.7019562721252441

End: 0.705435037612915