"Greensleeves (Arranged for Violin & Orchestra)" by Traditional, Isaac Stern, Milton Katims, Columbia Symphony Orchestra was released on 1963. The duration of Greensleeves (Arranged for Violin & Orchestra) is about 3 minutes long, at 3:08. Based on our data, "Greensleeves (Arranged for Violin & Orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Isaac Stern's "Humoresque: Favorite Violin Encores" album is number 11 out of 20. On top of that, United States appears to be the country where this track was created. In terms of popularity, Greensleeves (Arranged for Violin & Orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Greensleeves (Arranged for Violin & Orchestra) by Traditional, Isaac Stern, Milton Katims, Columbia Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sisask : Gloria Patri... 24 Hymns for Mixed Choir : XVII Dominus vobiscum | Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann | D Major | 0 | 10B | 109 BPM | ||
Ave Maria, CG 89a (Arr. for Cello, Organ & Harp) | Steven Houser, Stephen Hartman, Stefan Engels | F Major | 1 | 7B | 119 BPM | ||
Magnificent cum Alleluia (Song of Praise) | Nóirín Ní Riain | G Minor | 1 | 6A | 107 BPM | ||
Vierge pure | Traditional, Choeur des moines du Monastère de Simonos Petra | E Minor | 4 | 9A | 112 BPM | ||
In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM | ||
Media Vita | Kerensa Briggs, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | B Minor | 1 | 10A | 143 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Hymn to the Eternal Flame (From to Be Certain of the Dawn) | The Singers - Minnesota Choral Artists, Matthew Culloton | D♭ Major | 1 | 3B | 169 BPM | ||
The English Dance Master, Vol. 1: The Beggar Boy | John Playford, Baltimore Consort | F Major | 0 | 7B | 78 BPM | ||
Agnus Dei | Probandi Benedittini Di San Giovanni In Parma | F Major | 1 | 7B | 76 BPM |
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