"Manon (1997 Digital Remaster): Je ne suis que faiblesse....Adieu, notre petite table" by Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire, Maria Callas was released on 1997. The duration of Manon (1997 Digital Remaster): Je ne suis que faiblesse....Adieu, notre petite table is about 3 minutes long, at 3:23. Based on our data, "Manon (1997 Digital Remaster): Je ne suis que faiblesse....Adieu, notre petite table" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Maria Callas's "Maria Callas" album is number 13 out of 27. The popularity of Manon (1997 Digital Remaster): Je ne suis que faiblesse....Adieu, notre petite table is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Manon (1997 Digital Remaster): Je ne suis que faiblesse....Adieu, notre petite table by Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire, Maria Callas to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod: Faust, CG 4, Act 2 Scene 1: No. 5, Choeur, "Vin ou bière … Jeune adepte du tonneau" (Choeur, Wagner) | Charles Gounod, Marc Vento/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre de l'Opéra National de Paris | F Major | 3 | 7B | 86 BPM | ||
Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D♭ Major | 2 | 3B | 73 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | E Major | 1 | 12B | 94 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (b) "Ah! Paresseuse fille qui sommeille encor!" (Choeur, Faust) | Charles Gounod, Plácido Domingo, Georges Prêtre, Orchestre de l'Opéra National de Paris | D Major | 1 | 10B | 83 BPM | ||
Les Contes d'Hoffmann (2003 - Remaster), Act II: Les oiseaux dans la charmille :Chanson de la poupéee (Olympia/Chorus) | Jacques Offenbach, Gianna d' Angelo/Choeurs René Duclos/Orchestre de la Société des Concerts du Conservatoire/André Cluytens, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 103 BPM | ||
Gaite Parisienne (after J. Offenbach): 23. Barcarolle | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 0 | 10B | 113 BPM | ||
Puccini: Tosca, Act 1 Scene 1: "Ah! Finalmente! Nel terror mio stolto" (Angelotti, Sagrestano, Cavaradossi) | Giacomo Puccini, Leonardo Monreale, Giorgio Tadeo, Carlo Bergonzi, Orchestre De La Socit Des Concerts Du Conservatoire, Georges Prtre, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Minor | 5 | 2A | 82 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Gounod: Faust, CG 4, Act 4 Scene 3: No. 21, Scène de l'église, (b) "Souviens-toi du passé" (Méphistophélès, Marguerite) | Charles Gounod, Nicolai Ghiaurov, Georges Prêtre, Orchestre de l'Opéra National de Paris | A♭ Major | 1 | 4B | 114 BPM |
Section: 0.8620867729187012
End: 0.8658137321472168