Charles Gounod, Marc Vento/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre de l'Opéra National de Paris made "Gounod: Faust, CG 4, Act 2 Scene 1: No. 5, Choeur, "Vin ou bière … Jeune adepte du tonneau" (Choeur, Wagner)" available on 1979. With this song being about 5 minutes long, at 5:13, "Gounod: Faust, CG 4, Act 2 Scene 1: No. 5, Choeur, "Vin ou bière … Jeune adepte du tonneau" (Choeur, Wagner)" by Charles Gounod, Marc Vento/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre de l'Opéra National de Paris is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Charles Gounod, Georges Prêtre, Orchestre de l'Opéra National de Paris's "Gounod: Faust" album is number 6 out of 56. Gounod: Faust, CG 4, Act 2 Scene 1: No. 5, Choeur, "Vin ou bière … Jeune adepte du tonneau" (Choeur, Wagner) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Gounod: Faust, CG 4, Act 2 Scene 1: No. 5, Choeur, "Vin ou bière … Jeune adepte du tonneau" (Choeur, Wagner) by Charles Gounod, Marc Vento/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre de l'Opéra National de Paris to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano) | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn Stott | A Minor | 0 | 8A | 73 BPM | ||
Harp Concerto in C Major, Op. 6, No. 1: II. Andantino poco allegretto | Ernst Eichner, Silke Aichhorn, Kurpfälzisches Kammerorchester, Stefan Fraas | F Major | 0 | 7B | 133 BPM | ||
Menuet en Sol Mineur, Transcription de Wilhem Kempff d’après Le Menuet de la Suite en Si Bémol Majeur No. 1, HWV 434, 1er Cahier | George Frideric Handel, Anne Queffélec | G Minor | 0 | 6A | 69 BPM | ||
Largo from 'Xerxes' | George Frideric Handel, Latvian Philharmonic Chamber Orchestra, Ilmar Lapinsch, Riga Radio Choir | G Major | 1 | 9B | 170 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
Piano Concerto No. 6: II. Larghetto | John Field, Matthias Bamert, London Mozart Players, Miceal O'Rourke | E Major | 0 | 12B | 79 BPM | ||
Adagietto | Arash Safaian, Sebastian Knauer | G Major | 0 | 9B | 89 BPM | ||
Romeo and Juliet, Fantasy Overture | Symphony Elegant | B Minor | 0 | 10A | 69 BPM | ||
Rimsky-Korsakov: Scheherazade, Op. 35: II. The Kalendar Prince (Excerpt) | Nikolai Rimsky-Korsakov, Riccardo Muti, Philadelphia Orchestra | B Minor | 0 | 10A | 146 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Zhu Xiao-Mei | F Major | 0 | 7B | 65 BPM |
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