Richard Wagner, Albert Dohmen, Ralf Lukas, Clemens Bieber, Arnold Bezuyen, Andrew Shore, Gerhard Siegel, Kwangchul Youn, Hans-Peter Konig, Michelle Breedt, Edith Haller, Christa Mayer, Fionnuala McCarthy, Ulrike Helzel, Simone Schroder, Bayreuth Festival Orchestra, Christian Thielemann's 'Das Rheingold: Scene 2: Zu mir, Freia! Meide sie, Frecher! (Froh, Donner, Fafner, Fasolt, Wotan, Freia, Fricka)' came out on January 11, 2009. With Das Rheingold: Scene 2: Zu mir, Freia! Meide sie, Frecher! (Froh, Donner, Fafner, Fasolt, Wotan, Freia, Fricka) being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wagner: Der Ring des Nibelungen by Richard Wagner, Christian Thielemann. The song's track number on the album is #13 out of 255 tracks. In terms of popularity, Das Rheingold: Scene 2: Zu mir, Freia! Meide sie, Frecher! (Froh, Donner, Fafner, Fasolt, Wotan, Freia, Fricka) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Das Rheingold: Scene 2: Zu mir, Freia! Meide sie, Frecher! (Froh, Donner, Fafner, Fasolt, Wotan, Freia, Fricka) by Richard Wagner, Albert Dohmen, Ralf Lukas, Clemens Bieber, Arnold Bezuyen, Andrew Shore, Gerhard Siegel, Kwangchul Youn, Hans-Peter Konig, Michelle Breedt, Edith Haller, Christa Mayer, Fionnuala McCarthy, Ulrike Helzel, Simone Schroder, Bayreuth Festival Orchestra, Christian Thielemann has a tempo of 119 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Das Rheingold: Scene 2: Zu mir, Freia! Meide sie, Frecher! (Froh, Donner, Fafner, Fasolt, Wotan, Freia, Fricka) being at 119 BPM, the half-time would be 60 BPM with a double-time of 238 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Major | 2 | 2B | 73 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Parsifal / Act 2: "Komm, holder Knabe!" | Richard Wagner, Heidi Grant Murphy, Kaaren Erickson, Korliss Uecker, Joyce Guyer, Jane Bunnell, Wendy White, Plácido Domingo, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Symphony No. 8, Erster Teil: I. Veni, creator spiritus | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 3 | 5B | 64 BPM | ||
Parsifal: Act I, Scene I, "He! Ho! Waldhueter ihr!" | Richard Wagner, René Pape, Violeta Urmana, Yuri Alezeev, Yuri Vorobiev, Lia Shevtsova, Olga Legkova, Alexander Timchenko, Andrei Popov, Valery Gergiev, Mariinsky Orchestra | A♭ Major | 0 | 4B | 133 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VI - Andante | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | D Major | 1 | 10B | 117 BPM | ||
Pomp and Circumstance Marches, Op. 39: March No. 4 in G Major | Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti | G Major | 3 | 9B | 118 BPM | ||
Serenade for String Orchestra, Op. 11: I. Preludium: Allegro molto | Dag Wirén, Bournemouth Sinfonietta, Richard Studt | C Major | 1 | 8B | 129 BPM | ||
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Major | 3 | 8B | 83 BPM | ||
Carmina Burana / Uf dem Anger: Dance | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 2 | 7B | 139 BPM |
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