Jean-Marie Leclair, Steven Staryk made "Leclair - Sonata No. 3 In D (1738) - Ii - Allegro" available on March 13, 2007. With Leclair - Sonata No. 3 In D (1738) - Ii - Allegro being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "The Art Of Steven Staryk – Handel, Mozart, Brahms, Paganini". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. In terms of popularity, Leclair - Sonata No. 3 In D (1738) - Ii - Allegro is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Leclair - Sonata No. 3 In D (1738) - Ii - Allegro by Jean-Marie Leclair, Steven Staryk having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ich hatte viel Bekümmernis, BWV 21: Ich hatte viel Bekummernis, BWV 21: Sinfonia | Johann Sebastian Bach, Il Gardellino | B Minor | 2 | 10A | 65 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
Symphony in D Major, J-C 16: II. Andante sempre piano | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B♭ Minor | 1 | 3A | 106 BPM | ||
Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo | Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas | A♭ Minor | 0 | 1A | 74 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | A Major | 2 | 11B | 80 BPM | ||
Flute Concerto in G Major, QV 5:165: III. Presto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 107 BPM | ||
Oboe Sonata No. 3: I. Adagio | Francesco Geminiani, Ensemble Barocco Sans Souci | E♭ Minor | 1 | 2A | 129 BPM |
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