"Орлеанская дева, действие I: No. 7, Ария Иоанны "Да, час настал!"" by Irina Arkhipova, Gennady Rozhdestvensky, Геннадий Рождественский, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks, Большой симфонический оркестр Всесоюзного радио и Центрального телевидения had its release date on October 19, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in Чайковский: Орлеанская дева, so we believe that "Орлеанская дева, действие I: No. 7, Ария Иоанны "Да, час настал!"" is a single. Based on our statistics, Орлеанская дева, действие I: No. 7, Ария Иоанны "Да, час настал!"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Орлеанская дева, действие I: No. 7, Ария Иоанны "Да, час настал!" by Irina Arkhipova, Gennady Rozhdestvensky, Геннадий Рождественский, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks, Большой симфонический оркестр Всесоюзного радио и Центрального телевидения is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Орлеанская дева, действие I: No. 6, Гимн "Царь вышних сил" | Irina Arkhipova, Андрей Соколов, Виктор Селиванов, Большой хор Всесоюзного радио и Центрального телевидения, Gennady Rozhdestvensky, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks, Большой симфонический оркестр Всесоюзного радио и Центрального телевидения | A♭ Major | 3 | 4B | 110 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 1: "Da zu dir der Heiland kam" | Richard Wagner, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 2 | 8B | 77 BPM | ||
Carmina Burana / III. Cour d'amours: "Tempus est iocundum" | Carl Orff, Gundula Janowitz, Dietrich Fischer-Dieskau, Schöneberger Sängerknaben, Orchester der Deutschen Oper Berlin, Eugen Jochum | F♯ Major | 7 | 2B | 138 BPM | ||
Хованщина, действие I сцена 6: "Так мёртвую везите" | Vladislav Piavko, Alexei Krivchenya, Tamara Sorokina, Alexander Ognivtsev, Александр Огнивцев, Irina Arkhipova, хор Большого театра, Boris Khaikin, Борис Хайкин, Оркестр Большого театра | F♯ Major | 2 | 2B | 69 BPM | ||
Schicksalslied, Op. 54: Orchestral Postlude with Choir (alternate version) | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A Major | 0 | 11B | 82 BPM | ||
Symphony No. 2 in C Minor "Resurrection" (Auferstehung): IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Leonard Bernstein | D♭ Major | 0 | 3B | 136 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 2: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | E Minor | 2 | 9A | 166 BPM | ||
Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom | Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White | C Major | 2 | 8B | 138 BPM | ||
Le colibri Op.2 N°7 | Ernest Chausson, Susan Manoff, Sandrine Piau | D♭ Major | 0 | 3B | 130 BPM | ||
Carmina Burana / 2. In Taberna: "Olim lacus colueram" | Carl Orff, Philip Creech, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Major | 2 | 10B | 81 BPM |