"Piano Sonata No. 14 in C Minor, K. 457: II. Adagio" by Wolfgang Amadeus Mozart, Maria João Pires was released on January 1, 1990. Since Piano Sonata No. 14 in C Minor, K. 457: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Maria João Pires's "Mozart: Piano Sonatas K.457 & K.331, Fantasias K. 475 & K.397" album is number 3 out of 8. Piano Sonata No. 14 in C Minor, K. 457: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Sonata No. 14 in C Minor, K. 457: II. Adagio by Wolfgang Amadeus Mozart, Maria João Pires to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto In B Flat: 3. Rondo (Allegro) | Luigi Boccherini, Jian Wang, Camerata Salzburg | B♭ Major | 1 | 6B | 137 BPM | ||
Sonata in G Minor, K. 450: Allegrissimo | Domenico Scarlatti, Ivo Pogorelich | G Minor | 2 | 6A | 100 BPM | ||
Huit Nocturnes, Op. 368: No. 3 in A-Flat Major | Carl Czerny, Isabelle Oehmichen | A♭ Major | 0 | 4B | 63 BPM | ||
Requiem In D Minor, K.626: 3. Sequentia: Lacrimosa | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan, Wolfgang Meyer, Wiener Singverein | D Minor | 1 | 7A | 74 BPM | ||
Debussy: Children's Corner, CD 119, L. 113: No. 3, Serenade for the Doll | Claude Debussy, Monique Haas | A♭ Major | 0 | 4B | 73 BPM | ||
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
Keyboard Sonatina in C Major, Op. 36, No. 1: II. Andante | Muzio Clementi, Chun-Young June | F Major | 0 | 7B | 91 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Arabeske in C Major, Op. 18: No. 4 Zum Schluss | Robert Schumann, Maria João Pires | D♭ Major | 0 | 3B | 73 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | F♯ Minor | 0 | 11A | 84 BPM |
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