"Ricercar IX toni, sopra le fughe "Io son ferito lasso" e "Vestiva I coll"" by Christian Erbach, Gustav Leonhardt was released on March 23, 2004. Ricercar IX toni, sopra le fughe "Io son ferito lasso" e "Vestiva I coll" is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. There is only one song in 17th Century Organ Music, so we believe that "Ricercar IX toni, sopra le fughe "Io son ferito lasso" e "Vestiva I coll"" is a single. Ricercar IX toni, sopra le fughe "Io son ferito lasso" e "Vestiva I coll" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ricercar IX toni, sopra le fughe "Io son ferito lasso" e "Vestiva I coll" by Christian Erbach, Gustav Leonhardt is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonies de Fanfares for Trumpet and Organ: I. Rondeau | Jean-Joseph Mouret, Joachim Pliquett, Arvid Gast | A♭ Minor | 0 | 1A | 149 BPM | ||
Te Deum: XI. Miserere nostri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Dark November | Speech to Mortals | D Major | 0 | 10B | 133 BPM | ||
Miserere, ZWV 57: II. Miserere II | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | B Major | 3 | 1B | 58 BPM | ||
Missa S. Marcellini: XII. Credo - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 3 | 3B | 110 BPM | ||
Urkukoraali: Nyt se suuri päivä koitti | Vesa Kajava | A Major | 1 | 11B | 136 BPM | ||
Missa Quadragesimalis, MH 552: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 0 | 12B | 84 BPM | ||
Stabat Mater in G Minor: VII. Sancta Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Minor | 0 | 10A | 57 BPM | ||
Missa Ut re mi fa sol la (Hexachord Mass): II. Gloria | Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers | B♭ Major | 2 | 6B | 124 BPM |
Section: 0.6117558479309082
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