José de Nebra, Pablo Cano made "Grave de 8º Tono" available on November 27, 2008. With this song being about 5 minutes long, at 4:54, "Grave de 8º Tono" by José de Nebra, Pablo Cano is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Varios Intérpretes: El Clave en el Madrid de Los Borbones by Pablo Cano. The song's track number on the album is #4 out of 10 tracks. Based on our data, Spain was the country where this track was produced or recorded. In terms of popularity, Grave de 8º Tono is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Grave de 8º Tono by José de Nebra, Pablo Cano has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Grave de 8º Tono being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: Stabat Mater dolorosa | Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 82 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 2. Arie. Quia respexit humilitatem (S) | Carl Philipp Emanuel Bach, Elizabeth Watts, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | B♭ Minor | 0 | 3A | 89 BPM | ||
“Alienta fervorosa” Cantada al Santísimo: Ven, ven del Líbano (aria) | José de Nebra, Maria Espada, Al Ayre Español, Eduardo López Banzo | G Major | 2 | 9B | 84 BPM | ||
Charpentier: Te Deum, H. 146: XI. Fiat misericordia | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Ich habe genug, BWV 82: I. Ich habe genug (Aria) | Johann Sebastian Bach, Miriam Feuersinger, Capricornus Consort Basel | B Major | 5 | 1B | 96 BPM | ||
Languet anima mea BWV deest 1006: V. Alleluja | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | D♭ Minor | 2 | 12A | 120 BPM | ||
Credo, R.592: 2. Adagio: Et incarnatus est | Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers | A Major | 1 | 11B | 80 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 1. Sanctus, Dominus Deus | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Helen Charlston, Daniel Johannsen, Peter Van Heyghen | B♭ Minor | 2 | 3A | 77 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: "Bless'd are they who fear the Lord" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 85 BPM | ||
Gloria in D Major, RV 589: IX. Qui tollis | Antonio Vivaldi, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus | E Minor | 2 | 9A | 128 BPM |
Section: 0.9058308601379395
End: 0.9195716381072998