Leon Jessel, Kölner Rundfunkorchester, Franz Marszalek, Benno Kusche, Gretl Schörg's 'Schwarzwaldmädel: Dialog 1 - Harmonium-Melodram (Blasius, Bärbele)' came out on September 29, 2014. With Schwarzwaldmädel: Dialog 1 - Harmonium-Melodram (Blasius, Bärbele) being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leon Jessel, Kölner Rundfunkorchester, Franz Marszalek, Franz Fehringer, Gretl Schörg's "Jessel: Schwarzwaldmädel" album is number 2 out of 30. On top of that, Germany appears to be the country where this track was created. Schwarzwaldmädel: Dialog 1 - Harmonium-Melodram (Blasius, Bärbele) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Schwarzwaldmädel: Dialog 1 - Harmonium-Melodram (Blasius, Bärbele) by Leon Jessel, Kölner Rundfunkorchester, Franz Marszalek, Benno Kusche, Gretl Schörg to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gymnopédie No. 2 (Orch. Corp) | Erik Satie, Ronald Corp, New London Orchestra | D Major | 1 | 10B | 159 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Gold und Silber (Gold and Silver), Op. 79: Waltz | Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank | C Minor | 3 | 5A | 80 BPM | ||
La belle Hélène: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | A Major | 2 | 11B | 82 BPM | ||
Jazz Suite No. 2: I. March | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 116 BPM | ||
The Prague Carnival. Introduction and Polonaise | Bedřich Smetana, Prague Symphony Orchestra, Tomáš Brauner | A Major | 3 | 11B | 69 BPM | ||
Grand March from Aida (Act II, Scene 2) | Giuseppe Verdi, Philadelphia Orchestra, Eugene Ormandy | E♭ Major | 2 | 5B | 114 BPM | ||
For Ever, Polka schnell, Op. 193 | Josef Strauss, Slovak State Philharmonic Orchestra, Christian Pollack | G Major | 3 | 9B | 153 BPM | ||
Copland: Suite from Appalachian Spring: II. Allegro (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Strohfeuer-Polka | Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra | C Major | 3 | 8B | 151 BPM |
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