Fritz Wunderlich, Hermann Prey made "Vom Himmel hoch, o Englein kommt" available on January 1, 2003. The duration of Vom Himmel hoch, o Englein kommt is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Vom Himmel hoch, o Englein kommt's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 70 in the song's album "The Christmas Album". In this album, this song's track order is #8. Vom Himmel hoch, o Englein kommt is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Vom Himmel hoch, o Englein kommt by Fritz Wunderlich, Hermann Prey having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Lohengrin, Act 3: "Treulich geführt ziehet dahin" (Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin | C Minor | 2 | 5A | 119 BPM | ||
Die verkaufte Braut (2007 Remaster), Akt 1: Seht am Strauch die Knosepn springen (Chor: Chor - Marie - Hans) | Bedřich Smetana, Pilar Lorengar/Fritz Wunderlich/Gottlob Frick/Bamberger Symphoniker/Rudolf Kempe, Rudolf Kempe, Bamberg Symphony | G Major | 5 | 9B | 112 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Gloria: Qui tollis peccata mundi | Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | B♭ Major | 0 | 6B | 120 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Se Florindo è fedele (from "La donna ancora è fedele") | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 75 BPM | ||
Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
Heidenröslein, Op.3/3, D.257 | Franz Schubert, Fritz Wunderlich, Hubert Giesen | G Major | 1 | 9B | 71 BPM | ||
Rückert Lieder: II. Ich atmet' einen linden Duft | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | D Major | 0 | 10B | 84 BPM | ||
Carmen / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 1 | 5B | 128 BPM | ||
Die Nacht, Op.10, No.3 | Richard Strauss, Barbara Bonney, Malcolm Martineau | D Major | 0 | 10B | 174 BPM |
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