"12 Sonatas and a Pastorale, Op. 1 (1734): No. 6, Violin Sonata in D Major, D, B.D12 / GT 2.D12: IV. Allegro" by Giuseppe Tartini, La Serenissima, Adrian Chandler was released on March 22, 2024. The duration of 12 Sonatas and a Pastorale, Op. 1 (1734): No. 6, Violin Sonata in D Major, D, B.D12 / GT 2.D12: IV. Allegro is about 3 minutes long, at 3:18. Based on our data, "12 Sonatas and a Pastorale, Op. 1 (1734): No. 6, Violin Sonata in D Major, D, B.D12 / GT 2.D12: IV. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 'Diavolo': Giuseppe Tartini - 6 Violin Sonatas, so we believe that "12 Sonatas and a Pastorale, Op. 1 (1734): No. 6, Violin Sonata in D Major, D, B.D12 / GT 2.D12: IV. Allegro" is a single. In terms of popularity, 12 Sonatas and a Pastorale, Op. 1 (1734): No. 6, Violin Sonata in D Major, D, B.D12 / GT 2.D12: IV. Allegro is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 12 Sonatas and a Pastorale, Op. 1 (1734): No. 6, Violin Sonata in D Major, D, B.D12 / GT 2.D12: IV. Allegro by Giuseppe Tartini, La Serenissima, Adrian Chandler is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Havanaise, Op. 83: Allegro | Camille Saint-Saëns, Jascha Heifetz, William Steinberg, RCA Victor Symphony Orchestra | E Major | 2 | 12B | 76 BPM | ||
La ronde des Lutins | Antonio Bazzini, Christian Li, Timothy Young | G Major | 5 | 9B | 98 BPM | ||
Violin Concerto No. 5 in D Major, Op. 22: III. Rondo. Allegretto | Friedrich Seitz, Hyejin Chung, Warren Lee | D Major | 1 | 10B | 111 BPM | ||
Introitus | Wolfgang Amadeus Mozart, Lisa Beckley, Elena Filipova, Magdaléna Hajóssyová, Peter Mikulas, Michel Piquemal, Gloria Scalchi, Michel Piquemal Vocal Ensemble, Hungarian State Opera Chorus, Oxford Schola Cantorum, Slovak Philharmonic Chorus, Hungarian State Opera Orchestra, Orchestre De La Cite, Oxford Camerata, Slovak Philharmonic | B♭ Major | 1 | 6B | 103 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Concerto For Violin and Orchestra No. 5 in A minor Op. 37 Allegro con fuoco | Henri Vieuxtemps, Sarah Chang, Philharmonia Orchestra, Charles Dutoit | A Minor | 4 | 8A | 138 BPM | ||
Melodie from "Orfeo ed Euridice" (Dance of the Blessed Spirits) | Christoph Willibald Gluck, Gil Shaham, Akira Eguchi | D Minor | 1 | 7A | 94 BPM | ||
Pieces de clavecin: Suite in E Minor: III. Gigue en rondeau I | Jean-Philippe Rameau, Gilbert Rowland | E♭ Minor | 2 | 2A | 132 BPM | ||
Requiem In D Minor, K. 626: Kyrie Eleison | Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Jaroslava Horska, Vladimir Ruso, Stefan Klimo, Peter Mikulas, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | F Major | 2 | 7B | 82 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM |
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