Malcolm Arnold, Emma Johnson, Malcolm Martineau's 'Sonatina for clarinet and piano, Op.29 (1951): 1. Allegro con brio' came out on April 18, 2020. The duration of Sonatina for clarinet and piano, Op.29 (1951): 1. Allegro con brio is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Sonatina for clarinet and piano, Op.29 (1951): 1. Allegro con brio's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Work From Home with British Classics by Ralph Vaughan Williams, Gustav Holst, Edward Elgar. The song's track number on the album is #40 out of 186 tracks. Based on our statistics, Sonatina for clarinet and piano, Op.29 (1951): 1. Allegro con brio's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Sonatina for clarinet and piano, Op.29 (1951): 1. Allegro con brio by Malcolm Arnold, Emma Johnson, Malcolm Martineau has a tempo of 141 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Sonatina for clarinet and piano, Op.29 (1951): 1. Allegro con brio being at 141 BPM, the half-time would be 70 BPM with a double-time of 282 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Petrushka: Danse Russe | Igor Stravinsky, Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A Minor | 3 | 8A | 121 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Haydn: Trumpet Concerto In E Flat - Ii Andante | Franz Joseph Haydn, Tine Thing Helseth | A♭ Major | 0 | 4B | 74 BPM | ||
Three Shanties for Wind Quintet, Op.4 (1943): 1. Allegro con brio | Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly, Claire Briggs, Susanna Cohen | D Minor | 1 | 7A | 126 BPM | ||
Solo de concours, Op. 10 | Henri Rabaud, Michael Collins, Michael McHale | F Major | 0 | 7B | 83 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Fanfare for the Common Man | Aaron Copland, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 113 BPM | ||
4 Irish Dances, Op. 126: No. 1, Allegro con energico | Malcolm Arnold, London Philharmonic Orchestra | G Major | 4 | 9B | 103 BPM | ||
Appalachian Spring: I. Very Slowly | Aaron Copland, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 78 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM |
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