"The Visitation" by Andrew T. Miller, Amy Bils, Kelley O'Connor, Andrew Miller was released on November 6, 2007. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "The Birth of Christ". In this album, this song's track order is #5. The Visitation is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Visitation by Andrew T. Miller, Amy Bils, Kelley O'Connor, Andrew Miller having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liberation: Exsultate Justi | John Williams | A Major | 1 | 11B | 104 BPM | ||
Forkladd gud (The Disguised God), Op. 24: Välsignelse följer i gudarnas spår … (Blessings follow in the wake of the gods …) (Chorus) | Hillevi Martinpelto, Karl-Magnus Fredriksson, Gustaf Sjökvists Kammarkör, Bjorn Granath, Royal Stockholm Philharmonic Orchestra, Gustaf Sjokvist | G Major | 2 | 9B | 115 BPM | ||
Stabat Mater, FP 148: 7. Eja mater | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | E♭ Major | 3 | 5B | 98 BPM | ||
Dona Nobis Pacem: Agnus Dei | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | G Minor | 1 | 6A | 85 BPM | ||
Carmina Burana: In trutina | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | D Major | 1 | 10B | 105 BPM | ||
Hosanna (Thy Savior Hath Come) | Rob Gardner, Spire Chorus & London Symphony Orchestra | E♭ Major | 2 | 5B | 72 BPM | ||
Scots Song | Charlotte Hoather | D Major | 0 | 10B | 66 BPM | ||
Elijah, Op. 70: "Go, Return Upon Thy Way!" (Chorus & Recitative) | Felix Mendelssohn, Gabrieli, Simon Keenlyside, William Whitehead, Paul McCreesh | C Major | 2 | 8B | 79 BPM | ||
To Be a Captain | Maury Yeston, David Costabile, Kevin Stites | F Major | 0 | 7B | 176 BPM | ||
Elgar: Sea Pictures, Op. 37: IV. Where Corals Lie, "The deeps have music" (Allegretto ma non troppo) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | B Minor | 1 | 10A | 66 BPM |
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