"Symphony No. 8 in E-Flat Major - "Symphony of a Thousand" / Pt. 2: Final Scene From Goethe's "Faust": "Er überwächst uns schon" - "Vom edlen Geisterchor umgeben" - Live From Philharmonie, Berlin" by Gustav Mahler, Andrea Rost, Cheryl Studer, Berliner Philharmoniker, Claudio Abbado, Toelzer Knabenchor, Prague Philharmonic Chorus was released on January 1, 1995. The duration of Symphony No. 8 in E-Flat Major - "Symphony of a Thousand" / Pt. 2: Final Scene From Goethe's "Faust": "Er überwächst uns schon" - "Vom edlen Geisterchor umgeben" - Live From Philharmonie, Berlin is about 3 minutes long, at 3:23. Based on our data, "Symphony No. 8 in E-Flat Major - "Symphony of a Thousand" / Pt. 2: Final Scene From Goethe's "Faust": "Er überwächst uns schon" - "Vom edlen Geisterchor umgeben" - Live From Philharmonie, Berlin" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gustav Mahler, Berliner Philharmoniker, Claudio Abbado's "Mahler: Symphony No.8 in E flat "Symphony of a Thousand"" album is number 14 out of 24. On top of that, Germany appears to be the country where this track was created. Symphony No. 8 in E-Flat Major - "Symphony of a Thousand" / Pt. 2: Final Scene From Goethe's "Faust": "Er überwächst uns schon" - "Vom edlen Geisterchor umgeben" - Live From Philharmonie, Berlin is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 8 in E-Flat Major - "Symphony of a Thousand" / Pt. 2: Final Scene From Goethe's "Faust": "Er überwächst uns schon" - "Vom edlen Geisterchor umgeben" - Live From Philharmonie, Berlin by Gustav Mahler, Andrea Rost, Cheryl Studer, Berliner Philharmoniker, Claudio Abbado, Toelzer Knabenchor, Prague Philharmonic Chorus to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: Piano Trio in G Major, L. 5: II. Scherzo - Intermezzo - Moderato con allegro | Claude Debussy, Bertrand Chamayou | F♯ Minor | 0 | 11A | 80 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Pelléas et Mélisande, Op.80: Chanson de Mélisande | Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 87 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: II. Adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 54 BPM | ||
Beethoven: Violin Concerto in D Major, Op. 61: II. Larghetto - | Ludwig van Beethoven, Itzhak Perlman, Carlo Maria Giulini, Philharmonia Orchestra | G Major | 0 | 9B | 86 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Piano Concerto No.4 in G minor, Op.40: 1. Allegro vivace (Alla breve) | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | E♭ Major | 1 | 5B | 67 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
Scènes bohémiennes la jolie fille de perth: Danse bohémienne | Georges Bizet, Orchestre Philharmonique des Pays de Loire, Marc Soustrot | B Minor | 1 | 10A | 81 BPM |
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