Praga Festival Orchestra made "March In D" available on March 20, 2006. The duration of March In D is about 3 minutes long, at 3:23. Based on our data, "March In D" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Praga Festival Orchestra's "Mozart Genius, Volume 1" album is number 4 out of 8. Based on our statistics, March In D's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of March In D by Praga Festival Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Messiah - Adapted W.A.Mozart, KV572 / Part 1: Pifa: Larghetto e sempre piano | George Frideric Handel, Vienna Radio Symphony Orchestra, Sir Charles Mackerras | D Major | 2 | 10B | 91 BPM | ||
Divertmento n.1 in Re Maggiore K 136 | Chamber Orchestra Armonie | C Major | 1 | 8B | 176 BPM | ||
Adagio From Quintet No. 4 | Praga Festival Orchestra | E♭ Major | 1 | 5B | 90 BPM | ||
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): II. Preghiera (Larghetto) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | A Major | 0 | 11B | 65 BPM | ||
Peer Gynt Suite No. 1, Op. 46: 1. Morning Mood | Edvard Grieg, Wiener Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 109 BPM | ||
Holberg Suite, Op. 40: I. Präludium (Allegro vivace) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 134 BPM | ||
Der Fischer und das Milchmädchen: V. Corps de ballet | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
Morning, Evening and Night in Vienna | Franz von Suppé, Praga Festival Orchestra, Johann Mertz | C Major | 5 | 8B | 131 BPM | ||
Bruch: Scottish Fantasy, Op. 46: II. Scherzo. Allegro - Adagio | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM |
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