"Responsories for Maundy Thursday Nocturn 2: III. Unus ex discipulis meis tradet me hodie" by Tomás Luis de Victoria, Tenebrae, Nigel Short was released on September 2, 2013. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Tomás Luis De Victoria: Tenebrae Responsories". In this album, this song's track order is #3. Responsories for Maundy Thursday Nocturn 2: III. Unus ex discipulis meis tradet me hodie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Responsories for Maundy Thursday Nocturn 2: III. Unus ex discipulis meis tradet me hodie by Tomás Luis de Victoria, Tenebrae, Nigel Short having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe de Nostre Dame: Ite missa est | Guillaume de Machaut, Oxford Camerata, Jeremy Summerly | F Major | 1 | 7B | 66 BPM | ||
Alleluia, I Heard a Voice | Thomas Weelkes, Consort Of Musicke, Anthony Rooley | B Major | 2 | 1B | 115 BPM | ||
Triste départ | Nicolas Gombert, Amarcord | B Major | 1 | 1B | 87 BPM | ||
Rappresentatione di Anima e di Corpo (Representation of Soul and Body): Prologue | Emilio de' Cavalieri, Rosita Frisani, Marinella Pennicchi, Patrizia Vaccari, Alessandro Carmignani, Giovanni Pentasuglia, Michel Van Goethem, Alessandro Casari, Gian Luigi Maria Ghiringhelli, Roberto Abbondanza, Carlo Lepore, Marcello Vargetto, Gastone Sarti, Prague Philharmonic Children's Choir, San Petronio Cappella Musicale Orchestra, Sergio Vartolo | D Major | 1 | 10B | 105 BPM | ||
To Thee, O Victorious Leader | Sergei Rachmaninoff, Tenebrae, Nigel Short | C Major | 2 | 8B | 84 BPM | ||
Requiem in D Minor, Op. 48: Introït et Kyrie | Gabriel Fauré, Tenebrae, LSO Chamber Ensemble, Nigel Short | B♭ Major | 0 | 6B | 77 BPM | ||
Victoria: Requiem (Missa pro defunctis) - 06. Kyrie 2 | Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 83 BPM | ||
Chansons: De plus en plus se renouvelle | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | A♭ Major | 0 | 4B | 69 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Lamentations Ieremiae Prophetae: Bonum est praestolari | Alonso Lobo, Tenebrae, Nigel Short | B Minor | 1 | 10A | 126 BPM |
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