"Victoria: Requiem (Missa pro defunctis) - 06. Kyrie 2" by Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars was released on 1987. With Victoria: Requiem (Missa pro defunctis) - 06. Kyrie 2 being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Victoria: Requiem (Officium defunctorum). Lobo: Versa est in luctum. by Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars. The song's track number on the album is #11 out of 32 tracks. Victoria: Requiem (Missa pro defunctis) - 06. Kyrie 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Victoria: Requiem (Missa pro defunctis) - 06. Kyrie 2 by Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Victoria: Requiem (Missa pro defunctis) - 06. Kyrie 2 being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Isorhythmic Motets: Vasilissa ergo gaude | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | G Minor | 2 | 6A | 120 BPM | ||
Missa pro defunctis: II. Kyrie | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Minor | 3 | 8A | 108 BPM | ||
Taverner: Missa Gloria Tibi Trinitas - Benedictus | John Taverner, Peter Phillips, The Tallis Scholars | F Minor | 1 | 4A | 130 BPM | ||
All'imperio d'Amore: 6. La dipartita e amara a 4 | Luca Marenzio, Ensemble Pygmalion, Safir Behloul, Renaud Brès, Raphael Pichon, Zachary Wilder, Davy Cornillot, Lucile Richardot, Maïlys De Villoutreys | G Minor | 2 | 6A | 109 BPM | ||
Palestrina: Missa Brevis - 09. Sanctus | Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 90 BPM | ||
Josquin: Praeter Rerum Seriem - 1. Praeter Rerum Seriem | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 106 BPM | ||
Hard By A Crystal Fountain | Thomas Morley, The Queen's Six | E♭ Major | 1 | 5B | 90 BPM | ||
Ave regina celorum | Leonel Power, Trio Mediæval | F Major | 1 | 7B | 141 BPM | ||
Sibil-La Valenciana: R/ Al Jord Del Judici (Cathédrale De València) | La Capella Reial De Catalunya, Montserrat Figueras, Jordi Savall | D Minor | 1 | 7A | 79 BPM | ||
Sheppard: Missa Cantate - 2f. Et incarnatus est de Spiritu Sancto | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 1 | 9B | 89 BPM |
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