"Concerto to the Memory of Alexander Yurlov: Choral" by Georgy Sviridov, Vladimir Minin, Moscow Chamber Choir was released on July 14, 1995. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Russian Choir School: Vladimir Minin". In this album, this song's track order is #13. Concerto to the Memory of Alexander Yurlov: Choral is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto to the Memory of Alexander Yurlov: Choral by Georgy Sviridov, Vladimir Minin, Moscow Chamber Choir having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All-night Vigil, Op. 37, "Vespers": Hail, O Virgin Mother (Ave Maria) | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 139 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
Charterhouse Suite: Prelude | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | F Major | 0 | 7B | 134 BPM | ||
Requiem, Op. 48: VII. Libera me | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, Stéphane Degout | D Minor | 1 | 7A | 74 BPM | ||
Stabat Mater, P. 77: 1. Stabat Mater | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | F Minor | 0 | 4A | 80 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 0 BPM | ||
Salvation Is Created, Op. 25 No. 5 | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | D Major | 0 | 10B | 129 BPM | ||
Kheruvimskaya pesnya (Cherubic Hymn) | Pyotr Ilyich Tchaikovsky, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 0 | 9A | 82 BPM | ||
Intemerata Dei mater | Johannes Ockeghem, Oxford Camerata, Jeremy Summerly | D Minor | 1 | 7A | 79 BPM | ||
St. John Passion, BWV 245: Part I: Chorale: Herr, unser Herrscher (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 3 | 11A | 137 BPM |
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