Leo Slezak made "Hobellied, - Aus Der Oper: Der Verschwender" available on May 5, 2010. The duration of Hobellied, - Aus Der Oper: Der Verschwender is about 3 minutes long, at 3:12. Based on our data, "Hobellied, - Aus Der Oper: Der Verschwender" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leo Slezak's "Musikalische Erinnerungen Zum 50.Todestag" album is number 1 out of 22. Based on our statistics, Hobellied, - Aus Der Oper: Der Verschwender's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Hobellied, - Aus Der Oper: Der Verschwender by Leo Slezak to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
«Ninon» | Leo Nucci | E Major | 1 | 12B | 168 BPM | ||
Magische Töne (Die Königen von Saba, Act II) | Karl Goldmark, Leo Slezak | A Minor | 2 | 8A | 79 BPM | ||
6 Lieder, Op. 86: No. 2. Feldeinsamkeit | Johannes Brahms, Leo Slezak, Studio pianist | F Major | 2 | 7B | 131 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
La dame blanche, Act II: Komm, o holde Dame (Sung in German) | François-Adrien Boieldieu, Leo Slezak | E Major | 1 | 12B | 172 BPM | ||
Die Entführung aus dem Serail, K. 384, Act II: Ach Belmonte! Ach, mein Leben! - Remastered 2024 | Wolfgang Amadeus Mozart, Wilma Lipp, Walther Ludwig, Peter Klein, Emmy Loose, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Del cabello más sutil | Fernando Obradors, José Carreras, Martin Katz | F♯ Major | 0 | 2B | 166 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Leo Slezak erzählt | Leo Slezak | G Major | 3 | 9B | 126 BPM | ||
Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM |
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