"Balletti lamentabili á 4, C 59: I. Sonata. Alla breve" by Heinrich Ignaz Franz von Biber, Klingzeug Barockensemble was released on October 1, 2021. The duration of Balletti lamentabili á 4, C 59: I. Sonata. Alla breve is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Balletti lamentabili á 4, C 59: I. Sonata. Alla breve's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Klingzeug Barockensemble's "Memento Mori" album is number 4 out of 19. On top of that, Sweden appears to be the country where this track was created. The popularity of Balletti lamentabili á 4, C 59: I. Sonata. Alla breve is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Balletti lamentabili á 4, C 59: I. Sonata. Alla breve by Heinrich Ignaz Franz von Biber, Klingzeug Barockensemble to be Vivace (lively and fast) because the track has a tempo of 167 BPM, a half-time of 84BPM, and a double-time of 334 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scene 1 | Francesca Caccini, Ferdinando Saracinelli, Ensemble Renaissance | F Major | 1 | 7B | 133 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Mystery (Rosary) Sonata No. 12, "The Ascension": IV. Courante - Double | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B Major | 1 | 1B | 74 BPM | ||
Mensa sonora / PARS III (In A Minor): 1. Gagliarda. Allegro | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 1 | 1A | 147 BPM | ||
Abdelazar Suite, Z. 570: I. Overture | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 120 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Guitar Quintet No. 4 in D Major, G. 448: I. Pastorale | Luigi Boccherini, José Miguel Moreno, La Real Cámara | A♭ Major | 0 | 4B | 110 BPM | ||
Trio Sonata in F Major, TWV 42:F6: II. Largo | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | G Minor | 4 | 6A | 120 BPM | ||
Concerto Armonico No. 1 in G Major: Allegro | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 115 BPM |
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