Wolfgang Amadeus Mozart, Traditional, Jordi Savall, Le Concert Des Nations made "Requiem in D Minor, K. 626: II. Kyrie eleison" available on May 5, 2023. The duration of Requiem in D Minor, K. 626: II. Kyrie eleison is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Requiem in D Minor, K. 626: II. Kyrie eleison's duration is considered a little bit shorter than the average duration of a typical track. This song is part of W. A. Mozart: Requiem in D Minor, K. 626 by Wolfgang Amadeus Mozart, Traditional, Jordi Savall, Le Concert Des Nations. The song's track number on the album is #2 out of 14 tracks. Based on our data, Switzerland was the country where this track was produced or recorded. In terms of popularity, Requiem in D Minor, K. 626: II. Kyrie eleison is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Requiem in D Minor, K. 626: II. Kyrie eleison by Wolfgang Amadeus Mozart, Traditional, Jordi Savall, Le Concert Des Nations has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Requiem in D Minor, K. 626: II. Kyrie eleison being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in D Major: I. Magnificat | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 0 | 5B | 66 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | C Minor | 1 | 5A | 94 BPM | ||
Requiem in C Minor: Sanctus | Antonio Salieri, Lawrence Foster, Orquestra Gulbenkian, Coro Gulbenkian, Adam Zdunikowski, Luis Rodrigues | C Major | 2 | 8B | 84 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Cantate Domino, SV 293 | Claudio Monteverdi, Le Concert Spirituel, Herve Niquet | F Major | 2 | 7B | 88 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Presto): Chi mai dell'Erebo | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | G Major | 3 | 9B | 122 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 4. Sanctus | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 135 BPM | ||
Lauda Sion, Op. 73: I. Lauda Sion Salvatorem | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Kammerchor Stuttgart, Frieder Bernius | A Major | 1 | 11B | 135 BPM | ||
Mass in C Major, Op. 86: Gloria: Qui tollis peccata mundi | Ludwig van Beethoven, Katherine van Kampen, Ingeborg Danz, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 0 | 8B | 136 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM |
Section: 0.7830400466918945
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