Johann Strauss II, Plácido Domingo, Agnes Baltsa, Bavarian Radio Chorus, Eva Lind, Peter Seiffert, Ulrike Steinsky, Wolfgang Brendel, Das Münchner Rundfunkorchester's 'Strauss, Johann II: Die Fledermaus, Act 2: "Ein Souper heut uns winkt" (Chor, Adele, Ida, Orlofsky, Falke, Eisenstein)' came out on August 25, 2023. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Strauss II, Lucia Popp, Agnes Baltsa, Das Münchner Rundfunkorchester, Plácido Domingo's "J. Strauss II: Die Fledermaus" album is number 8 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Strauss, Johann II: Die Fledermaus, Act 2: "Ein Souper heut uns winkt" (Chor, Adele, Ida, Orlofsky, Falke, Eisenstein) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Strauss, Johann II: Die Fledermaus, Act 2: "Ein Souper heut uns winkt" (Chor, Adele, Ida, Orlofsky, Falke, Eisenstein) by Johann Strauss II, Plácido Domingo, Agnes Baltsa, Bavarian Radio Chorus, Eva Lind, Peter Seiffert, Ulrike Steinsky, Wolfgang Brendel, Das Münchner Rundfunkorchester to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Slavonic Dances, Op.46, B.83: No.8 in G Minor (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 129 BPM | ||
Humoreske; Op. 101 No. 7 | Antonín Dvořák, I Salonisti | F♯ Major | 1 | 2B | 88 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Rigoletto, Atto III, Canzone: "La donna è mobile" | Giuseppe Verdi, Jonas Kaufmann, Pier Giorgio Morandi, Parma Opera Orchestra | B Major | 2 | 1B | 136 BPM | ||
Indigo, Op. 349: Marsch | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | E♭ Major | 3 | 5B | 113 BPM | ||
Dorfschwalben aus Osterreich, Op. 164 | Josef Strauss, Wiener Symphoniker, Manfred Honeck | E♭ Major | 1 | 5B | 94 BPM | ||
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM | ||
Holberg Suite, Op. 40: I. Praludium (Allegro Vivace) | Edvard Grieg, Libor Pešek, Slovac Philharmony | F Major | 0 | 7B | 95 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) | Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 79 BPM |
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