The Tallis Scholars, Peter Phillips's 'Tallis: Magnificat (4vv) - 2. Quia Respexit Humilitatem Ancillae Suae' came out on April 1, 2004. The duration of Tallis: Magnificat (4vv) - 2. Quia Respexit Humilitatem Ancillae Suae is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Tallis: Magnificat (4vv) - 2. Quia Respexit Humilitatem Ancillae Suae's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 74 in the song's album "Spem in Alium - The Tallis Scholars Sing Thomas Tallis (With 3 Bonus Tracks)". In this album, this song's track order is #62. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Tallis: Magnificat (4vv) - 2. Quia Respexit Humilitatem Ancillae Suae's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Tallis: Magnificat (4vv) - 2. Quia Respexit Humilitatem Ancillae Suae by The Tallis Scholars, Peter Phillips having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Regina caeli | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
Miserere, Op.44: 8. Domine Deus noster - Lento. Affenttuoso | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 133 BPM | ||
Miserere, Op.44: 1. Domine Deus noster-Lento | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 72 BPM | ||
Ave virgo sanctissima | Francisco Guerrero, Ensemble Plus Ultra, His Majestys Sagbutts & Cornetts, Michael Noone | B♭ Minor | 1 | 3A | 133 BPM | ||
Drömmarna | Accentus, Eric Ericson | E♭ Major | 1 | 5B | 99 BPM | ||
Allegri: Miserere - 01. Miserere Mei, Deus | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 135 BPM | ||
Preserve, O Lord, for Many Years, Op. 79 | Alexander Gretchaninov, Conspirare, Craig Hella Johnson | C Major | 3 | 8B | 93 BPM | ||
Jahrkreis, Op. 5: No. 39: Wie der Hirsch schreiet nach frischem Wasser | Hugo Distler, Sjaella, Ensemble Nobiles | A Minor | 1 | 8A | 98 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
Pueri concinite | Jacobus Gallus, Choeur Concinite de Louvain, Aerts Karel | G Major | 1 | 9B | 69 BPM |
Section: 0.6184840202331543
End: 0.6238410472869873