"Bach, JS: Wachet auf, ruft uns die Stimme, BWV 140: Choral. "Zion hört die Wächter singen" (Instrumental Version)" by Johann Sebastian Bach, Jean-François Paillard, Maurice André, Orchestre de chambre Jean-François Paillard was released on March 25, 2022. With this song being about 5 minutes long, at 4:53, "Bach, JS: Wachet auf, ruft uns die Stimme, BWV 140: Choral. "Zion hört die Wächter singen" (Instrumental Version)" by Johann Sebastian Bach, Jean-François Paillard, Maurice André, Orchestre de chambre Jean-François Paillard is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 138 out of 169 in Bach: Brandenburg Concertos, Keyboard Concertos, Violin Concertos & Orchestral Suites by Johann Sebastian Bach, Jean-François Paillard. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Bach, JS: Wachet auf, ruft uns die Stimme, BWV 140: Choral. "Zion hört die Wächter singen" (Instrumental Version) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Wachet auf, ruft uns die Stimme, BWV 140: Choral. "Zion hört die Wächter singen" (Instrumental Version) by Johann Sebastian Bach, Jean-François Paillard, Maurice André, Orchestre de chambre Jean-François Paillard is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Johannes-Passion, BWV 245.1: 4. Recitativo: Auf dass das Wort erfüllet würde | Johann Sebastian Bach, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Wir müssen durch viel Trübsal, BWV 146: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 0 | 10B | 102 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM |
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