"Sonata No. 6 in A Major (from Sonate accademiche op. 2): Largo - From Sonata VI Of Sonate Accademiche, Op. 2" by Francesco Maria Veracini, Nicola Benedetti, Christian Curnyn was released on January 1, 2011. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Nicola Benedetti's "Italia" album is number 11 out of 18. Based on our statistics, Sonata No. 6 in A Major (from Sonate accademiche op. 2): Largo - From Sonata VI Of Sonate Accademiche, Op. 2's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata No. 6 in A Major (from Sonate accademiche op. 2): Largo - From Sonata VI Of Sonate Accademiche, Op. 2 by Francesco Maria Veracini, Nicola Benedetti, Christian Curnyn to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | ||
Sonata in A Minor, QV 2:41a/b: IV. Allegro | Johann Joachim Quantz, Ensemble Zefiro, Alfredo Bernardini | F♯ Minor | 3 | 11A | 105 BPM | ||
Concerto in C Minor: III. Allegro | George Frideric Handel, Klaipėda Chamber Orchestra, Andrius Puskunigis, Vincent Bernhardt, Mindaugas Bačkus | C Minor | 2 | 5A | 140 BPM | ||
Overture No. 1 in B-Flat Major: I. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | A Major | 2 | 11B | 83 BPM | ||
Pyrrhus, Acte III Scène 1: Ritournelle | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: Sinfonia melodica in C Major, TWV 50:2: III. Bourrée | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 3: III. Presto | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Viola da gamba Sonata in D Major, A2:50: III. Allegro | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella | D♭ Major | 3 | 3B | 97 BPM | ||
Adriano in Siria, Act II: Act II Scene 10: Recitative: Almen tutto (Osroa, Farnaspe) | Francesco Maria Veracini, Ugo Guagliardo, Ann Hallenberg, Europa Galante, Fabio Biondi | A♭ Minor | 1 | 1A | 101 BPM | ||
Sinfonia Nо. 1 in re maggiore (Il martirio di San Tenrenziano): V. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | F Major | 5 | 7B | 107 BPM |
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