"Messiah, HWV 56 / Pt. 1: 13. Pifa (Pastoral Symphony)" by George Frideric Handel, English Baroque Soloists, John Eliot Gardiner was released on January 1, 1983. The duration of Messiah, HWV 56 / Pt. 1: 13. Pifa (Pastoral Symphony) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Messiah, HWV 56 / Pt. 1: 13. Pifa (Pastoral Symphony)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "Handel: Messiah" album is number 13 out of 51. In terms of popularity, Messiah, HWV 56 / Pt. 1: 13. Pifa (Pastoral Symphony) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah, HWV 56 / Pt. 1: 13. Pifa (Pastoral Symphony) by George Frideric Handel, English Baroque Soloists, John Eliot Gardiner to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oratorio de Noel, Op. 12: Quartet: Alleluja (Soprano 1, Soprano 2, Alto, Bass) | Camille Saint-Saëns, Britt Marie Aruhn, Anne Sofie von Otter, Ingmari Landin, Erland Hagegård, Ulf Lundmark, Mikaeli Chamber Choir, Karin Langebo, Bengt Forsberg, Royal Opera Theater Orchestra, Anders Eby | F♯ Major | 0 | 2B | 53 BPM | ||
Ave Maria | Vienna Boys' Choir | B♭ Major | 0 | 6B | 118 BPM | ||
Messiah / Part 2: "Why Do The Nations...Let Us Break Asunder" | George Frideric Handel, David Thomas, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 3 | 3B | 114 BPM | ||
Vivaldi: Gloria in D Major, RV 589: VIII. Domine Deus, Agnus Dei | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Michael Chance, Stephen Cleobury | D♭ Minor | 0 | 12A | 76 BPM | ||
Les Indes galantes, Prologue: Ouverture | Jean-Philippe Rameau, Les Arts Florissants, William Christie | F♯ Major | 2 | 2B | 103 BPM | ||
In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach) - Arranged by Wilhelm Kempff | Johann Sebastian Bach, Wilhelm Kempff | G Major | 0 | 9B | 65 BPM | ||
Oboe Concerto in D Minor: III. Presto | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | F Major | 3 | 7B | 97 BPM | ||
Christus: III. Choral "Es wird ein Stern aus Jacob aufgehn" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | A Major | 2 | 11B | 76 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Oratorio de Noel, Op. 12: Tollite hostias (Chorus) | Camille Saint-Saëns, Britt Marie Aruhn, Anne Sofie von Otter, Ingmari Landin, Erland Hagegård, Ulf Lundmark, Mikaeli Chamber Choir, Karin Langebo, Bengt Forsberg, Royal Opera Theater Orchestra, Anders Eby | A♭ Major | 1 | 4B | 132 BPM |
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