Messiah / Part 2: "Why Do The Nations...Let Us Break Asunder"
George Frideric Handel, David Thomas, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood
Handel: Messiah
3:15 January 1, 1980
BPM
114
Key
D♭ Major
Camelot
3B

Embed

Share Link

Messiah / Part 2: "Why Do The Nations...Let Us Break Asunder" - George Frideric Handel, David Thomas, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood Information

Acousticness
96%
Danceability
26%
Energy
26%
Instrumentalness
5%
Liveness
16%
Loudness
74%
Speechiness
4%
Valence
30%
Popularity
Loudness
-15.782 dB

Summary

George Frideric Handel, David Thomas, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood's 'Messiah / Part 2: "Why Do The Nations...Let Us Break Asunder"' came out on January 1, 1980. The duration of Messiah / Part 2: "Why Do The Nations...Let Us Break Asunder" is about 3 minutes long, at 3:15. Based on our data, "Messiah / Part 2: "Why Do The Nations...Let Us Break Asunder"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Judith Nelson, Emma Kirkby, Carolyn Watkinson, Paul Elliott, David Thomas, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood's "Handel: Messiah" album is number 12 out of 37. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Messiah / Part 2: "Why Do The Nations...Let Us Break Asunder" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Messiah / Part 2: "Why Do The Nations...Let Us Break Asunder" BPM

We consider the tempo marking of Messiah / Part 2: "Why Do The Nations...Let Us Break Asunder" by George Frideric Handel, David Thomas, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Messiah / Part 2: "Why Do The Nations...Let Us Break Asunder" Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Abdelazar Suite, Z. 570: II. Rondeau by Henry Purcell, Camerata Nordica, Terje TonnesenAbdelazar Suite, Z. 570: II. RondeauHenry Purcell, Camerata Nordica, Terje TonnesenA Major011B84 BPM
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) by Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank MausCanon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra)Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank MausD Major110B83 BPM
Purcell : King Arthur : Air by William ChristiePurcell : King Arthur : AirWilliam ChristieC Minor05A96 BPM
Symphony in A Major, J-C 62: I. Presto by Giovanni Battista Sammartini, Aradia Ensemble, Kevin MallonSymphony in A Major, J-C 62: I. PrestoGiovanni Battista Sammartini, Aradia Ensemble, Kevin MallonA♭ Major34B119 BPM
Dido and Aeneas, Z. 626 / Act III: Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings)Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu HerzogG Minor16A77 BPM
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro by Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio VivaldiConcerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. AllegroCologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio VivaldiB Minor310A123 BPM
Keyboard Concerto in G Major, Wq. 44: II. Andantino by Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie LeipzigKeyboard Concerto in G Major, Wq. 44: II. AndantinoCarl Philipp Emanuel Bach, Michael Rische, Kammersymphonie LeipzigE Minor09A87 BPM
Concerto for Strings in A Minor, RV 161: I. Allegro by Antonio Vivaldi, Accademia I Filarmonici, Alberto MartiniConcerto for Strings in A Minor, RV 161: I. AllegroAntonio Vivaldi, Accademia I Filarmonici, Alberto MartiniB♭ Major56B124 BPM
Sinfonia in E major, RV 132: II. Andante by Karoly BotvaySinfonia in E major, RV 132: II. AndanteKaroly BotvayA Major011B79 BPM
Massenet: Mélodie-Elégie, Op. 10 No. 5 from Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes"Jules Massenet, Edgar Moreau, Pierre-Yves HodiqueE Minor09A73 BPM
ISRC
GBF077930227
Label
L-M Records/RCA Records

Section: 0.8424098491668701

End: 0.8458695411682129