On January 18, 2021, the song "Harpsichord Concerto No. 5 in F Minor, BWV. 1056: III. Presto" was released by Johann Sebastian Bach, Andrei Gavrilov, Sir Neville Marriner, Academy of St. Martin in the Fields. The duration of Harpsichord Concerto No. 5 in F Minor, BWV. 1056: III. Presto is about 3 minutes long, at 3:06. Based on our data, "Harpsichord Concerto No. 5 in F Minor, BWV. 1056: III. Presto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Work - Bach by Johann Sebastian Bach. The song's track number on the album is #45 out of 250 tracks. In terms of popularity, Harpsichord Concerto No. 5 in F Minor, BWV. 1056: III. Presto is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Harpsichord Concerto No. 5 in F Minor, BWV. 1056: III. Presto by Johann Sebastian Bach, Andrei Gavrilov, Sir Neville Marriner, Academy of St. Martin in the Fields has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Harpsichord Concerto No. 5 in F Minor, BWV. 1056: III. Presto being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Music: Prelude In E Flat Minor - The Well-tempered Clavier, Book I | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | A♭ Minor | 0 | 1A | 139 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Prelude No. 3 "Nina's Convention" | Johann Sebastian Bach, John Lewis | C Major | 1 | 8B | 93 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM |
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