- BPM
- 79
- Key
- C Minor
- Camelot
- 5A
Le sacre du printemps (The Rite of Spring): Part II: The Sacrifice: Introduction (Pagan Night) - Igor Stravinsky, Leopold Stokowski Information
- Acousticness
- 47%
- Danceability
- 7%
- Energy
- 15%
- Instrumentalness
- 88%
- Liveness
- 37%
- Loudness
- 55%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -27.178 dB
Summary
"Le sacre du printemps (The Rite of Spring): Part II: The Sacrifice: Introduction (Pagan Night)" by Igor Stravinsky, Leopold Stokowski was released on 1948. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Igor Stravinsky's "Igor Stravinsky - Le sacre du printemps (100th Anniversary Collectors Edition)" album is number 9 out of 145. On top of that, United States appears to be the country where this track was created. Le sacre du printemps (The Rite of Spring): Part II: The Sacrifice: Introduction (Pagan Night) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Le sacre du printemps (The Rite of Spring): Part II: The Sacrifice: Introduction (Pagan Night) BPM
We consider the tempo marking of Le sacre du printemps (The Rite of Spring): Part II: The Sacrifice: Introduction (Pagan Night) by Igor Stravinsky, Leopold Stokowski to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Le sacre du printemps (The Rite of Spring): Part II: The Sacrifice: Introduction (Pagan Night) Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Verklärte Nacht, Op. 4: III. Pesante (Arr. for String Orchestra by Schoenberg - 1943 Revised Version) | Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 86 BPM | |
 | Fontane di Roma (The Fountains of Rome): IV. La fontana di Villa Medici al tramonto | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F♯ Minor | 0 | 11A | 89 BPM | |
 | Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | C Major | 0 | 8B | 73 BPM | |
 | Oedipus Rex, Prologue and Act I: "Spectateurs, vous allez entendre…" | Igor Stravinsky, London Symphony Orchestra, Stuart Skelton, Fanny Ardant, The Monteverdi Choir, John Eliot Gardiner | B♭ Minor | 1 | 3A | 172 BPM | |
 | Piano Concerto No.4 in G minor, Op.40: 1. Allegro vivace (Alla breve) | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | E♭ Major | 1 | 5B | 67 BPM | |
 | L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | |
 | Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | |
 | Sonata for Violin and Piano in A: 2. Allegro- Quasi lento- Tempo 1 (Allegro) | César Franck, Kaja Danczowska, Krystian Zimerman | D♭ Minor | 2 | 12A | 87 BPM | |
 | Symphony of Psalms: III. Alleluia, laudate Dominum | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | F Major | 1 | 7B | 79 BPM | |
 | Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM |
- ISRC
- USBC10604939
- Label
- L-M Records/RCA Records
Section: 0.877312183380127
End: 0.8823513984680176