"Fontane di Roma (The Fountains of Rome): IV. La fontana di Villa Medici al tramonto" by Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia was released on June 27, 2007. Fontane di Roma (The Fountains of Rome): IV. La fontana di Villa Medici al tramonto is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Respighi: Fontane di Roma, Pina di Roma, Feste Romane & Il Tramonto". In this album, this song's track order is #4. Fontane di Roma (The Fountains of Rome): IV. La fontana di Villa Medici al tramonto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fontane di Roma (The Fountains of Rome): IV. La fontana di Villa Medici al tramonto by Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Tale of Tsar Saltan Suite, Op. 57: The Tale of Tsar Saltan Suite, Op. 57: II. The Tsarina in a Barrel at Sea | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Minor | 1 | 6A | 171 BPM | ||
Eugene Onegin, Op. 24, TH 5: Lensky's Aria (Arr. Auer for Violin and Piano) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Antonio Pappano | E Minor | 1 | 9A | 79 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Verdi: Il trovatore, Act 2: "Soli or siamo" (Manrico, Azucena) | Giuseppe Verdi, Antonio Pappano, Larissa Diadkova, Roberto Alagna, London Symphony Orchestra | F Major | 0 | 7B | 62 BPM | ||
Rigoletto: Overture (Preludio) | Giuseppe Verdi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | G Major | 0 | 9B | 101 BPM | ||
Pines Of Rome, P. 141: 3. The Pines Of The Janiculum | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 84 BPM | ||
Momentum | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | D Major | 2 | 10B | 137 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kräftig bewegt, doch nicht zu schnell | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 173 BPM | ||
Verdi: Il trovatore, Act 2: "Perigliarti ancor languente" (Azucena, Manrico) | Giuseppe Verdi, Antonio Pappano, Larissa Diadkova, Roberto Alagna, London Symphony Orchestra | D Major | 4 | 10B | 108 BPM |
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