"Messa da Requiem (2004 Digital Remaster), VII. Libera me: Requiem aeternam" by Sergiu Celibidache, Munich Philharmonic Orchestra, Kurt Rydl, Peter Dvorsky, Chor des Münchner Philharmoniker, Elena Filipova, Reinhild Runkel was released on November 28, 2005. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Messa Da Requiem by Sergiu Celibidache. The song's track number on the album is #6 out of 21 tracks. Messa da Requiem (2004 Digital Remaster), VII. Libera me: Requiem aeternam is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messa da Requiem (2004 Digital Remaster), VII. Libera me: Requiem aeternam by Sergiu Celibidache, Munich Philharmonic Orchestra, Kurt Rydl, Peter Dvorsky, Chor des Münchner Philharmoniker, Elena Filipova, Reinhild Runkel has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Messa da Requiem (2004 Digital Remaster), VII. Libera me: Requiem aeternam being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation VII. Grazioso | Johannes Brahms, Munich Philharmonic Orchestra, Sergiu Celibidache | C Minor | 1 | 5A | 72 BPM | ||
Bruckner: Sinfonie Nr.9 D-Moll | Sergiu Celibidache | B Major | 3 | 1B | 63 BPM | ||
Hary Janos Suite: Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 109 BPM | ||
Pictures at an Exhibition: Promenade (I) | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 89 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 74 BPM | ||
Paria, Act I (Ed. Włodzimierz Ormicki): Introduction | Stanisław Moniuszko, Poznań Opera House Orchestra, Jacek Kaspszyk | C Major | 0 | 8B | 99 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale: Don Quixotes Tod | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 0 | 10B | 83 BPM | ||
Symphony No. 40 in G minor K550: Allegro assai | Munich Philharmonic Orchestra, Sergiu Celibidache | D Major | 1 | 10B | 117 BPM | ||
Der Liebeszauber: Feuertanz | Manuel de Falla, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | E Major | 1 | 12B | 140 BPM |
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