Franz Lehár, Itzhak Perlman, Samuel Sanders made "Frasquita (1995 Digital Remaster): Hab' ein blaues Himmelbett" available on September 12, 2000. The duration of Frasquita (1995 Digital Remaster): Hab' ein blaues Himmelbett is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Frasquita (1995 Digital Remaster): Hab' ein blaues Himmelbett's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Itzhak Perlman's "Itzhak Perlman's Greatest Hits: Volume II" album is number 11 out of 21. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Frasquita (1995 Digital Remaster): Hab' ein blaues Himmelbett is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Frasquita (1995 Digital Remaster): Hab' ein blaues Himmelbett by Franz Lehár, Itzhak Perlman, Samuel Sanders to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Renata Tebaldi, Orchestre National de l'Opéra de Monte-Carlo, Fausto Cleva | E Major | 1 | 12B | 66 BPM | ||
Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 84 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Zweiter Akt: Tanzen möcht' ich - Tausend kleine Engel singen (Sylva - Edwin) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | D Major | 3 | 10B | 93 BPM | ||
Lohengrin / Act 3: "Treulich geführt ziehet dahin" | Richard Wagner, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch | B♭ Major | 1 | 6B | 82 BPM | ||
Notturno d'amore | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Gaite Parisienne (after J. Offenbach): 1. Allegro brillante | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | G Major | 3 | 9B | 113 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 2: Walzer | Franz Lehár, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 99 BPM | ||
Fiordiligi, Dorabella and Don Alfonso's Trio (Soave sia il vento) from Così fan tutte | Wolfgang Amadeus Mozart, Walter Weller, London Philharmonic Orchestra, Diana Montague, Orla Boylan, Alan Opie | E Major | 1 | 12B | 87 BPM |
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