Anonymous, Frédéric Chopin, Janos Balint, Deborah Sipkai made "Waltz No. 6 in D-Flat Major, Op. 64, No. 1, "Minute" (arr. for flute and harp)" available on January 1, 1998. The duration of Waltz No. 6 in D-Flat Major, Op. 64, No. 1, "Minute" (arr. for flute and harp) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Waltz No. 6 in D-Flat Major, Op. 64, No. 1, "Minute" (arr. for flute and harp)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 21 in Flute and Harp Arrangements - Tartini, G. / Bach, J.S. / Mozart, W.A. / Tchaikovsky, P.I. / Liszt, F. / Grieg, E. / Chopin, F. by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Waltz No. 6 in D-Flat Major, Op. 64, No. 1, "Minute" (arr. for flute and harp)'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Waltz No. 6 in D-Flat Major, Op. 64, No. 1, "Minute" (arr. for flute and harp) by Anonymous, Frédéric Chopin, Janos Balint, Deborah Sipkai is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Exaltation of the Holy Cross: Irmos of the 5th Ode | Choir of the Monks of Chevetogne | A♭ Minor | 1 | 1A | 138 BPM | ||
Missa orbis factor - Kyrie | Nova Schola Gregoriana, Alberto Turco | A♭ Major | 0 | 4B | 107 BPM | ||
Dominus vobiscum ... Sequentia sancti Evangelii secundum Matthaeum | Gregorian Chant, Julian Clarkson, Paul McCreesh, William Lyons, Gabrieli | D Major | 0 | 10B | 78 BPM | ||
Cherubic Hymn, mode 5 | Sofia Priest Choir, Kiril Popov; Archpriest M. Minchev | D♭ Minor | 2 | 12A | 86 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
Christus factus est pro nobis - Gradual (Modo V) - Remasterizado | Anonymous, Coro De Monjes Del Monasterio De Silos, Ismael Fernandez De La Cuesta | B♭ Minor | 9 | 3A | 110 BPM | ||
Cantigas de Santa Maria, No. 60: Entre Av'e Eva | Alfonso X El Sabio, Esther Lamandier | F Major | 1 | 7B | 84 BPM | ||
Viderunt omnes No. 1: ...Dominus... | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 128 BPM | ||
Teach Me, Oh Lord | The Sirin Choir, Choirmaster: Andrey Kotov | F Minor | 0 | 4A | 63 BPM |
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