"Missa pro defunctis: Communion" by Duarte Lobo, The Cambridge Taverner Choir, Owen Rees was released on June 1, 1993. The duration of Missa pro defunctis: Communion is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Missa pro defunctis: Communion's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Cambridge Taverner Choir, Owen Rees's "Music from Renaissance Portugal" album is number 11 out of 18. Missa pro defunctis: Communion is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro defunctis: Communion by Duarte Lobo, The Cambridge Taverner Choir, Owen Rees to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudans exultet gaudio per doppio coro, strumenti e b. c. (Giovanni Croce 1605) | Giovanni Croce, Valvasensi Cantores et Musici, Gruppo Corale San Giovanni, Domenico Innominato, La Chambree du Roy Renée, Marco Rossi | F Major | 1 | 7B | 116 BPM | ||
O rex gloriae | Luca Marenzio, James Grossmith, Claritas | G Major | 2 | 9B | 74 BPM | ||
Hodie nobis caelorum rex: I. Respond. Hodie nobis caelorum rex | Duarte Lobo, Cupertinos, Luís Toscano | E Minor | 1 | 9A | 92 BPM | ||
Omnis qui se exaltat | Johannes Wanning, Cappella Gedanensis | G Minor | 3 | 6A | 97 BPM | ||
Motectorum, Book 3: No. 15, Coelorum candor splenduit | Orfeo Vecchi, Don Denis Silano, Carlo Montalenti, Cappella Musicale Eusebiana | G Major | 1 | 9B | 72 BPM | ||
Celeste beneficium - Audiutorium nostrum | Jean Mouton, Capilla Flamenca, Patrick Denecker | F Major | 2 | 7B | 132 BPM | ||
Tenebrae Responsories, Feria quinta: VI. Unus ex discipulis meis | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | C Major | 1 | 8B | 79 BPM | ||
Lobo (A): Versa est in luctum | Alonso Lobo, Peter Phillips, The Tallis Scholars | F♯ Minor | 1 | 11A | 69 BPM | ||
Missa "Mater Patris": Mater Patris et fil | Josquin des Prez, Antoine Brumel, Jerycho, Bartosz Izbicki | E Major | 2 | 12B | 66 BPM | ||
Hacomplaynt: Salve Regina: I. Salve Regina mater misericordiae | Robert Hacomplaynt, Choir of King's College, Cambridge, Stephen Cleobury | F♯ Major | 1 | 2B | 111 BPM |
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