"Hodie nobis caelorum rex: I. Respond. Hodie nobis caelorum rex" by Duarte Lobo, Cupertinos, Luís Toscano was released on August 28, 2020. With Hodie nobis caelorum rex: I. Respond. Hodie nobis caelorum rex being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 66 in D. Lobo: Masses, Responsories & Motets by Duarte Lobo, Cupertinos, Luís Toscano. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Hodie nobis caelorum rex: I. Respond. Hodie nobis caelorum rex is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hodie nobis caelorum rex: I. Respond. Hodie nobis caelorum rex by Duarte Lobo, Cupertinos, Luís Toscano is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro defunctis: I. Introit | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | D Major | 2 | 10B | 129 BPM | ||
Victoria: Lamentations for Maundy Thursday 1 - 3. Quomodo Sedet Sola Civitas | The Tallis Scholars, Peter Phillips | B Minor | 0 | 10A | 83 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Good Friday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | A♭ Minor | 0 | 1A | 84 BPM | ||
Missa "Mater Patris": Gloria from the mass Mater Matris | Josquin des Prez, Jerycho, Bartosz Izbicki | E Major | 2 | 12B | 66 BPM | ||
Missa Veni Domine: Sanctus & Benedictus | Duarte Lobo, The Marian Consort, Rory McCleery | F Minor | 2 | 4A | 75 BPM | ||
Искупил ны еси от клятвы законныя | Хор Сретенского монастыря | F♯ Major | 1 | 2B | 74 BPM | ||
Sicut lilium inter spinas | Eleonora d'Este, Lyyra | F Major | 1 | 7B | 82 BPM | ||
Kontakion for the Canon of St. Andrew | Saint Vladimir's Seminary Women's Sextet | B Minor | 0 | 10A | 74 BPM | ||
Lay a Garland - 1840 | Pearsall (1795-1856), Robert Pearsall, Talla Vocal Ensemble | E♭ Major | 1 | 5B | 103 BPM | ||
Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Sonntraud Engels-Benz, Frieder Bernius, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart | B♭ Minor | 0 | 3A | 68 BPM |
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