"Tenebrae Responsories, Feria quinta: VI. Unus ex discipulis meis" by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent was released on October 7, 2013. With this song being about 5 minutes long, at 5:07, "Tenebrae Responsories, Feria quinta: VI. Unus ex discipulis meis" by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent's "Gesualdo: Responsoria 1611" album is number 6 out of 29. Tenebrae Responsories, Feria quinta: VI. Unus ex discipulis meis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tenebrae Responsories, Feria quinta: VI. Unus ex discipulis meis by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Repons: Eram quasi agnus | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | E Major | 1 | 12B | 173 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM | ||
Missa Prolationum: Kyrie I | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 133 BPM | ||
Quel Augellin Che Canta | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A♭ Minor | 1 | 1A | 77 BPM | ||
3 Geistliche Gesänge, Op. 69: No. 3, Abendlied | Josef Rheinberger, Singer Pur | E♭ Major | 1 | 5B | 135 BPM | ||
Selig sind, die da geistlich arm sind | Johann Hermann Schein, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 81 BPM | ||
Surrexit Christus a 11 (C66) | Giovanni Gabrieli, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 81 BPM | ||
Vespro della Beata Vergine, SV 206: VII. Concerto "Duo Seraphim" | Claudio Monteverdi, Philippe Herreweghe, Reinoud Van Mechelen, Samuel Boden, Benedict Hymas, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM | ||
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM |
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