Oskar Böhme, Matthias Höfs, Deutsche Kammerphilharmonie Bremen made "La Napolitaine, Tarantella, Op. 25 - Arr. for trumpet & chamber ensemble by Matthias Höfs" available on September 30, 2022. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Oskar Böhme Trumpet Concerto & Pieces". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. La Napolitaine, Tarantella, Op. 25 - Arr. for trumpet & chamber ensemble by Matthias Höfs is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With La Napolitaine, Tarantella, Op. 25 - Arr. for trumpet & chamber ensemble by Matthias Höfs by Oskar Böhme, Matthias Höfs, Deutsche Kammerphilharmonie Bremen having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hackney | Clement Woodcock, The Royal Wind Music, Paul Leenhouts | D♭ Major | 0 | 3B | 147 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": II. Larghetto | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | D Minor | 1 | 7A | 105 BPM | ||
Trombone Concerto (1st version): III. Finale: Maestoso - Rondo | Launy Grøndahl, Jesper Juul Sorensen, Danish National Symphony Orchestra, Thomas Dausgaard | F♯ Major | 0 | 2B | 121 BPM | ||
Bassoon Concerto: III. Rondo | Gioachino Rossini, Jaakko Luoma, Tapiola Sinfonietta | B♭ Minor | 2 | 3A | 172 BPM | ||
Concerto for Alto Saxophone and String Orchestra: 1. Lento espressivo - Allegro | Pierre Max Dubois, Eugene Rousseau, Orchestre de Chambre Paul Kuentz, Paul Kuentz | E Minor | 2 | 9A | 129 BPM | ||
Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM | ||
Euphonium Concerto: III. Finale: Giocoso | Vladimir Cosma, Adam Frey, New Zealand Symphony Orchestra, Bruce Hangen | D Minor | 2 | 7A | 148 BPM | ||
Morceau de concert, Op. 94: I. Allegro moderato | Camille Saint-Saëns, Czech Philharmonic Orchestra, Václav Neumann, Zdeněk Tylšar | F Minor | 1 | 4A | 121 BPM | ||
Candide Suite (arr. C. Grundman for wind band): III. Auto-da-fe | Leonard Bernstein, Clare Grundman, University of South Carolina Wind Ensemble, Scott Weiss | C Major | 4 | 8B | 108 BPM | ||
Trombone Concerto in B-Flat Major: III. Allegro | Nikolai Rimsky-Korsakov, Christian Lindberg, Tokyo Kosei Wind Orchestra, Chikara Imamura | F Major | 1 | 7B | 69 BPM |
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