Heinrich Ignaz Franz von Biber, Florian Mehltretter, Il Dolcimelo, Salzburger Hofmusik, Wolfgang Brunner's 'Chi la dura la vince "Arminio", Act I (Arr. W. Brunner): Tanti Cesari sono' came out on January 1, 2000. The duration of Chi la dura la vince "Arminio", Act I (Arr. W. Brunner): Tanti Cesari sono is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Chi la dura la vince "Arminio", Act I (Arr. W. Brunner): Tanti Cesari sono's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 42 in Biber: Chi la dura la vince "Arminio" (Arr. W. Brunner) by Heinrich Ignaz Franz von Biber, Wolfgang Brunner, Salzburger Hofmusik, Il Dolcimelo, Gerd Türk. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Chi la dura la vince "Arminio", Act I (Arr. W. Brunner): Tanti Cesari sono is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chi la dura la vince "Arminio", Act I (Arr. W. Brunner): Tanti Cesari sono by Heinrich Ignaz Franz von Biber, Florian Mehltretter, Il Dolcimelo, Salzburger Hofmusik, Wolfgang Brunner is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Airs for the Summer: Myrtle: III. Minuetto: Vivace | James Oswald, The Broadside Band | A Major | 2 | 11B | 0 BPM | ||
Concerto 5 in A Minor, Op. 7: III. Allegro assai | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 2 | 3A | 118 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: II. Adagio | Luigi Boccherini, José Miguel Moreno, La Real Cámara | F Major | 2 | 7B | 106 BPM | ||
Trio Sonata in D minor, Op.1 no.2: 1st movement: Grave | Francesco Geminiani, Bell'Arte Antiqua | D♭ Minor | 1 | 12A | 87 BPM | ||
Biber: Violin Sonata No. 1 in D Minor, C. 90, "The Annunciation" (from "The Joyful Mysteries"): II. Aria (Allegro) - Variatio | Heinrich Ignaz Franz von Biber, John Holloway/Davitt Moroney/Tragicomedia | D♭ Minor | 1 | 12A | 142 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": IV. Scotch Tune | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 107 BPM | ||
Abdelazer, Z.570: Air - Jig - Hornpipe - Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 172 BPM | ||
Forqueray, A: Pièces de viole, Suite No. 5 en ut mineur: VI. La Sylva. Très tendrement | Antoine Forqueray, Jean Rondeau | B Minor | 1 | 10A | 83 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM |
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