"Reger: Eine Ballett-Suite, Op. 130: V. Valse d'amour. Sostenuto" by Max Reger, Joseph Keilberth, Bamberg Symphony was released on March 17, 2023. The duration of Reger: Eine Ballett-Suite, Op. 130: V. Valse d'amour. Sostenuto is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Reger: Eine Ballett-Suite, Op. 130: V. Valse d'amour. Sostenuto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 65 in the song's album "Reger: Aus meinem Tagebuch. Bildnis eines romantischen Meisters". In this album, this song's track order is #28. Furthermore, we believe that the track originated from Germany. Reger: Eine Ballett-Suite, Op. 130: V. Valse d'amour. Sostenuto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Reger: Eine Ballett-Suite, Op. 130: V. Valse d'amour. Sostenuto by Max Reger, Joseph Keilberth, Bamberg Symphony having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Romanzen, Op.94: I. Nicht schnell | Robert Schumann, Albrecht Mayer | A Minor | 0 | 8A | 77 BPM | ||
Oboe Quartet in F Major, K. 370: III. Rondeau | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine Blaumane | F Major | 1 | 7B | 85 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation VI - L'istesso tempo | Sergei Rachmaninoff, Cameron Carpenter, Christoph Eschenbach | E Minor | 1 | 9A | 96 BPM | ||
A Downland Suite (Arr. for String Orchestra): II. Elegy. Lento espressivo | John Ireland, Richard Hickox, City of London Sinfonia | E♭ Major | 0 | 5B | 79 BPM | ||
Clarinet Concerto in C Minor, Op. 31: III. Rondo: Allegro giocoso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F Major | 1 | 7B | 77 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio | Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 77 BPM | ||
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM |
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