"The Sleeping Beauty, Op. 66 : (d) Variation D'Aurore" by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice was released on July 31, 1992. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 65 in the song's album "Tchaikovsky: The Sleeping Beauty (Complete Ballet)". In this album, this song's track order is #20. Based on our statistics, The Sleeping Beauty, Op. 66 : (d) Variation D'Aurore's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66 : (d) Variation D'Aurore by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Also sprach Zarathustra, Op.30, TrV 176: Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 93 BPM | ||
The Sleeping Beauty, Op. 66 : (B) Variation d'Aurore | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | B♭ Major | 1 | 6B | 90 BPM | ||
Adam: Giselle, Act 2: No. 15 Pas de deux (Giselle & Albrecht) | Adolphe Adam, Terence Kern, London Festival Ballet Orchestra | A♭ Major | 0 | 4B | 60 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): (Trumpets & trombones) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | F Major | 2 | 7B | 165 BPM | ||
Faust, Ballet Music (1869): 1. Les Nubiennes, valse (Allegretto) | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM | ||
Le Corsaire: Act II - "4. Grand Pas: Variation: Ali" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | A♭ Major | 1 | 4B | 121 BPM | ||
Raymonda, Act III: Entree | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D♭ Major | 1 | 3B | 68 BPM | ||
Act III: Variation 3 (Minkus) | Mariinsky Orchestra | B♭ Major | 2 | 6B | 118 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 17 (orch. A. Dvorak) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | F♯ Minor | 1 | 11A | 116 BPM |
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