Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice's 'The Sleeping Beauty, Op. 66 : (B) Variation d'Aurore' came out on July 31, 1992. With The Sleeping Beauty, Op. 66 : (B) Variation d'Aurore being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 65 in the song's album "Tchaikovsky: The Sleeping Beauty (Complete Ballet)". In this album, this song's track order is #11. In terms of popularity, The Sleeping Beauty, Op. 66 : (B) Variation d'Aurore is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66 : (B) Variation d'Aurore by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Minkus: Don Quixote, Act 3: II. Adage | Ludwig Minkus, Robert Irving, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 57 BPM | ||
The Sleeping Beauty, Op. 66 : (D) Aurore (Variation II) | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | E Major | 0 | 12B | 120 BPM | ||
Swan Lake, Op. 20 - Mariinsky Version / Act 2: Mazurka (Tempo di mazurka) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | G Major | 4 | 9B | 202 BPM | ||
Aus aller Herren Landern (From Foreign Lands), Op. 23: III. German: Andante | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 0 | 7B | 58 BPM | ||
Mazurka No. 23 in D Major, Op. 33, No. 2 | Frédéric Chopin, Idil Biret | A Major | 1 | 11B | 96 BPM | ||
Carmen Suite No. 1: Les dragons d'Alcala. Allegro moderato (Prelude to Act II) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Minor | 1 | 6A | 107 BPM | ||
La Bayadere: Variation 4: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 0 | 11B | 91 BPM | ||
Aleko: Men's Dance | Sergei Rachmaninoff, Mariana Zvetkova, Andreana Nikolova, Boiko Zvetanov, Alexander Tekeliev, Peter Naydenov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Nayden Todorov | E♭ Major | 1 | 5B | 91 BPM | ||
Giselle: Act I: Polacca | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 1 | 11B | 87 BPM | ||
Carmen, Opera Suite No. 2: I. Marche des Contrebandiers | London Festival Orchestra Alfred Scholz | C Minor | 1 | 5A | 114 BPM |
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