Leonard Bernstein, June Anderson, Della Jones, Adolph Green, Jerry Hadley, Kurt Ollmann, London Symphony Orchestra made "Candide / Act I: 3. The Best Of All Possible Worlds" available on January 1, 1991. The duration of Candide / Act I: 3. The Best Of All Possible Worlds is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Candide / Act I: 3. The Best Of All Possible Worlds's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Based on our statistics, Candide / Act I: 3. The Best Of All Possible Worlds's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Candide / Act I: 3. The Best Of All Possible Worlds by Leonard Bernstein, June Anderson, Della Jones, Adolph Green, Jerry Hadley, Kurt Ollmann, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, London Symphony Orchestra, Sir Colin Davis | E♭ Major | 1 | 5B | 72 BPM | ||
Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch | Paul Hindemith, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 77 BPM | ||
A White House Cantata / Part 1: Take Care of This House | Leonard Bernstein, June Anderson, Victor Acquah, London Symphony Orchestra, Kent Nagano | E Minor | 1 | 9A | 69 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": I. Allegro vivace | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 115 BPM | ||
Anna Bolena / Act 1: "Alcun potria ascolarti" | Gaetano Donizetti, Dame Joan Sutherland, Jerry Hadley, Bernadette Manca Di Nissa, Giorgio Surjan, Samuel Ramey, Chorus of the Welsh National Opera, Welsh National Opera Orchestra, Richard Bonynge | D Minor | 2 | 7A | 97 BPM | ||
In terra pax, Part II: Sentinelle, que dis-tu de la nuit? (Watchman, what of the night?) | Frank Martin, Matthias Bamert, London Philharmonic Orchestra, Della Jones, Judith Howarth, Martyn Hill, Roderick Williams, Stephen Roberts, Brighton Festival Chorus | E♭ Minor | 1 | 2A | 88 BPM | ||
Suor Angelica: Ho un desiderio anch'io! | Giacomo Puccini, Della Jones, Isobel Buchanan, Dame Joan Sutherland, Miriam Bowen, Janet Price, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 114 BPM | ||
I Lombardi - Act 3: Scena: "Qui posa il fianco" | Giuseppe Verdi, June Anderson, Luciano Pavarotti, Samuel Ramey, Metropolitan Opera Orchestra, James Levine | G Major | 5 | 9B | 84 BPM | ||
West Side Story (Original Broadway Cast): Act I: Cool | Leonard Bernstein, West Side Story Ensemble, Max Goberman, Mickey Calin, West Side Story Original Broadway Cast | C Major | 2 | 8B | 89 BPM | ||
Hamlet - Acte II - 1er Tableau : Les Jardins Du Palais - Arioso : Dans Son Regard Plus Sombre (La Reine, Ophélie) | Ambroise Thomas, Carre Et Barbier, Denyce Graves, London Philharmonic Orchestra | A♭ Major | 1 | 4B | 89 BPM |
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