William Walton, Edward Gardner, BBC Symphony Orchestra's 'Partita for Orchestra: I. Toccata' came out on April 1, 2018. With this song being about 5 minutes long, at 4:33, "Partita for Orchestra: I. Toccata" by William Walton, Edward Gardner, BBC Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Walton: Viola Concerto, Partita for Orchestra & Sonata for String Orchestra by William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes. The song's track number on the album is #8 out of 10 tracks. Based on our statistics, Partita for Orchestra: I. Toccata's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Partita for Orchestra: I. Toccata by William Walton, Edward Gardner, BBC Symphony Orchestra has a tempo of 128 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Partita for Orchestra: I. Toccata being at 128 BPM, the half-time would be 64 BPM with a double-time of 256 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
The music key of this track is F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | G Minor | 0 | 6A | 72 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 62 BPM | ||
By the Still Waters, Op. 114 | Amy Beach, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 76 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | C Major | 1 | 8B | 99 BPM | ||
Bizet: Petite suite from "Jeux d'enfants", Op. 22, WD 39: IV. Duo "Petit mari, petite femme" | Georges Bizet, Seiji Ozawa, Orchestre National De France | B♭ Major | 0 | 6B | 117 BPM | ||
Henry V, A Shakespeare Scenario: IV. Interlude. Touch her Soft Lips and Part | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Christopher Plummer, Choristers of Westminster Cathedral, Academy of St. Martin in the Fields Chorus | C Major | 0 | 8B | 92 BPM | ||
Nimrod (Lux Aeterna) | Edward Elgar, VOCES8 | D♭ Major | 1 | 3B | 175 BPM | ||
Frühlingsglaube (Arr. Franz Liszt) | Franz Schubert | A♭ Major | 3 | 4B | 64 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM |
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