Robert Woodcock, Ensemble Odyssee's 'Concerto No. 11 for Oboe in C Minor: IV. Minuets I & II' came out on May 18, 2018. With this song being about 5 minutes long, at 4:32, "Concerto No. 11 for Oboe in C Minor: IV. Minuets I & II" by Robert Woodcock, Ensemble Odyssee is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Woodcock: Concertos for Recorder & Oboe by Ensemble Odyssee. The song's track number on the album is #8 out of 30 tracks. Based on our data, Switzerland was the country where this track was produced or recorded. Concerto No. 11 for Oboe in C Minor: IV. Minuets I & II is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto No. 11 for Oboe in C Minor: IV. Minuets I & II by Robert Woodcock, Ensemble Odyssee has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto No. 11 for Oboe in C Minor: IV. Minuets I & II being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Sonata in E Minor, H. 551: II. Allegro | Carl Philipp Emanuel Bach, Accademia Ottoboni, Manuel Granatiero | E♭ Minor | 1 | 2A | 120 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: III. Allegretto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Trumpet Concerto in D Major, G. 28: III. Allegro | Giuseppe Torelli, Ede Inhoff, Hungarian State Opera Chamber Orchestra | D Major | 1 | 10B | 96 BPM | ||
Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | A♭ Minor | 1 | 1A | 73 BPM | ||
Ascanio in Alba, K. 111: Act I Scene 1: Andante grazioso, che ballano le Grazie | Wolfgang Amadeus Mozart, Raphaël Boulay, Michael Chance, Jill Feldman, Rosa Mannion, Howard Milner, Lorna Windsor, Paris Sorbonne University Choir, Concerto Armonico, Jacques Grimbert | D♭ Major | 0 | 3B | 180 BPM | ||
Concerto a 5 in C Major, Op. 5, No. 6: I. Allegro | Tomaso Albinoni, Bela Banfalvi, Budapest Strings, Karoly Botvay | C Major | 3 | 8B | 109 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: III. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sinfonia Nо. 3 in fa minore (La morte d'Abel): II. Larghetto | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Concerto for 3 Harpsichords in D Minor, BWV 1063: II. Alla Siciliana (Transcr. for Traverso, Violin and Harpsichord by Frank Theuns) | Johann Sebastian Bach, Frank Theuns, Sophie Gent, Bertrand Cuiller, Les Muffatti | G Minor | 3 | 6A | 97 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM |
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